So that to posterity their wreaths will look unseemly. Here, perhaps, an everlasting Amaranth, and, close by its side, some weed of an hour, sere, yellow, and shapeless. Their very beauties will lose half their effect, from the bad company they keep. They rely too much on story and event, to the neglect of those lofty imaginings that are peculiar to, and definite of the Poet.
The story of Milton might be told in two pages. It is this which distinguishes an epic poem from a romance in metre. Observe the march of Milton; his severe application; his laborious polish; his deep metaphysical researches; his prayer to God before he began his great work; all that could lift and swell his intellect, became his daily food.
I should not think of devoting less than twenty years to an epic poem. Ten years to collect materials and warm my mind with universal science. I would be a tolerable Mathematician. I would thoroughly understand Mechanics; Hydrostatics; Optics and Astronomy; Botany; Metallurgy; Fossilism; Chemistry; Geology; Anatomy; Medicine; then the mind of man; then the minds of men, in all Travels, Voyages, and Histories. So I would spend ten years; the next five in the composition of the poem, and the five last in the correction of it. So would I write, haply not unhearing of that divine and nightly-whispering voice, which speaks to mighty minds, of predestinated garlands, starry and unwithering.
God love you.
S. T. COLERIDGE.
P.S. David Hartley is well and grows. Sara is well, and desires a sister's love to you.
[Footnote 1: Mr. Wordsworth at this time resided at Allfoxden House, two or three miles from Stowey.—[Note by Cottle.]
"The following letter of Mr. C," says Cottle, "was in answer to a request for some long-promised copy, and for which the printer importuned."
LETTER 57. TO COTTLE
Stowey (May), 1797.