A letter by Dorothy Wordsworth of 20th November[1] confirms the fact that "The Borderers" was sent to Covent Garden. Both plays were rejected, that of Coleridge on account of the obscurity of the last three acts; and Coleridge wrote to Cottle his feelings on the occasion.
[Footnote 1: Knight's "Life of Wordsworth", i, 127.]
LETTER 69. To COTTLE
(2 Dec. 1797.)
Dear Cottle,
I have heard nothing of my Tragedy, except some silly remarks of Kemble's, to whom a friend showed it; it does not appear to me that there is a shadow of probability that it will be accepted. It gave me no pain, and great pleasure, in finding that it gave me no pain.
I had rather hoped than believed that I was possessed of so much philosophical capability. Sheridan most certainly has not used me with common justice. The proposal came from himself, and although this circumstance did not bind him to accept the tragedy, it certainly bound him to every, and that the earliest, attention to it. I suppose it is snugly in his green bag, if it have not emigrated to the kitchen.
I sent to the "Monthly Magazine" (1797), three mock Sonnets, in ridicule of my own Poems, and Charles Lloyd's, and Lamb's, etc. etc. exposing that affectation of unaffectedness, of jumping and misplaced accent, in common-place epithets, flat lines forced into poetry by italics, (signifying how well and mouthishly the author would read them) puny pathos, etc. etc. The instances were almost all taken from myself, and Lloyd, and Lamb.
I signed them 'Nehemiah Higginbotham.' I think they may do good to our young Bards.
God love you,