CONTENTS OF VOL. II
| DRAMATIC WORKS | |
| 1794 | |
| PAGE | |
| The Fall of Robespierre. An Historic Drama | [495] |
| 1797 | |
| Osorio. A Tragedy | [518] |
| 1800 | |
| The Piccolomini; or, The First Part of Wallenstein. A Drama translated from the German of Schiller. | |
| Preface to the First Edition | [598] |
| The Piccolomini | [600] |
| The Death of Wallenstein. A Tragedy in Five Acts. | |
| Preface of the Translator to the First Edition | [724] |
| The Death of Wallenstein | [726] |
| 1812 | |
| Remorse. | |
| Preface | [812] |
| Prologue | [816] |
| Epilogue | [817] |
| Remorse. A Tragedy in Five Acts | [819] |
| 1815 | |
| Zapolya. A Christmas Tale in Two Parts. | |
| Advertisement | [883] |
| Part I. The Prelude, entitled 'The Usurper's Fortune' | [884] |
| Part II. The Sequel, entitled 'The Usurper's Fate' | [901] |
| Epigrams | [951] |
| An Apology for Spencers | [951] |
| On a Late Marriage between an Old Maid and French Petit Maître | [952] |
| On an Amorous Doctor | [952] |
| 'Of smart pretty Fellows,' &c. | [952] |
| On Deputy —— | [953] |
| 'To be ruled like a Frenchman,' &c. | [953] |
| On Mr. Ross, usually Cognominated Nosy | [953] |
| 'Bob now resolves,' &c. | [953] |
| 'Say what you will, Ingenious Youth' | [954] |
| 'If the guilt of all lying,' &c. | [954] |
| On an Insignificant | [954] |
| 'There comes from old Avaro's grave' | [954] |
| On a Slanderer | [955] |
| Lines in a German Student's Album | [955] |
| [Hippona] | [955] |
| On a Reader of His Own Verses | [955] |
| On a Report of a Minister's Death | [956] |
| [Dear Brother Jem] | [956] |
| Job's Luck | [957] |
| On the Sickness of a Great Minister | [957] |
| [To a Virtuous Oeconomist] | [958] |
| [L'Enfant Prodigue] | [958] |
| On Sir Rubicund Naso | [958] |
| To Mr. Pye | [959] |
| [Ninety-Eight] | [959] |
| Occasioned by the Former | [959] |
| [A Liar by Profession] | [960] |
| To a Proud Parent | [960] |
| Rufa | [960] |
| On a Volunteer Singer | [960] |
| Occasioned by the Last | [961] |
| Epitaph on Major Dieman | [961] |
| On the Above | [961] |
| Epitaph on a Bad Man (Three Versions) | [961] |
| To a Certain Modern Narcissus | [962] |
| To a Critic | [962] |
| Always Audible | [963] |
| Pondere non Numero | [963] |
| The Compliment Qualified | [963] |
| 'What is an Epigram,' &c. | [963] |
| 'Charles, grave or merry,' &c. | [964] |
| 'An evil spirit's on thee, friend,' &c. | [964] |
| 'Here lies the Devil,' &c. | [964] |
| To One Who Published in Print, &c. | [964] |
| 'Scarce any scandal,' &c. | [965] |
| 'Old Harpy,' &c. | [965] |
| To a Vain Young Lady | [965] |
| A Hint to Premiers and First Consuls | [966] |
| 'From me, Aurelia,' &c. | [966] |
| For a House-Dog's Collar | [966] |
| 'In vain I praise thee, Zoilus' | [966] |
| Epitaph on a Mercenary Miser | [967] |
| A Dialogue between an Author and his Friend | [967] |
| Μωροσοφία, or Wisdom in Folly | [967] |
| 'Each Bond-street buck,' &c. | [968] |
| From an Old German Poet | [968] |
| On the Curious Circumstance, That in the German, &c. | [968] |
| Spots in the Sun | [969] |
| 'When Surface talks,' &c. | [969] |
| To my Candle | [969] |
| Epitaph on Himself | [970] |
| The Taste of the Times | [970] |
| On Pitt and Fox | [970] |
| 'An excellent adage,' &c. | [971] |
| Comparative Brevity of Greek and English | [971] |
| On the Secrecy of a Certain Lady | [971] |
| Motto for a Transparency, &c. (Two Versions) | [972] |
| 'Money, I've heard,' &c. | [972] |
| Modern Critics | [972] |
| Written in an Album | [972] |
| To a Lady who requested me to Write a Poem upon Nothing | [973] |
| Sentimental | [973] |
| 'So Mr. Baker,' &c. | [973] |
| Authors and Publishers | [973] |
| The Alternative | [974] |
| 'In Spain, that land,' &c. | [974] |
| Inscription for a Time-piece | [974] |
| On the Most Veracious Anecdotist, &c. | [974] |
| 'Nothing speaks but mind,' &c. | [975] |
| Epitaph of the Present Year on the Monument of Thomas Fuller | [975] |
| Jeux d'Esprit | [976] |
| My Godmother's Beard | [976] |
| Lines to Thomas Poole | [976] |
| To a Well-known Musical Critic, &c. | [977] |
| To T. Poole: An Invitation | [978] |
| Song, To be Sung by the Lovers of all the noble liquors, &c. | [978] |
| Drinking versus Thinking | [979] |
| The Wills of the Wisp | [979] |
| To Captain Findlay | [980] |
| On Donne's Poem 'To a Flea' | [980] |
| [Ex Libris S. T. C.] | [981] |
| ΕΓΩΕΝΚΑΙΠΑΝ | [981] |
| The Bridge Street Committee | [982] |
| Nonsense Sapphics | [983] |
| To Susan Steele, &c. | [984] |
| Association of Ideas | [984] |
| Verses Trivocular | [985] |
| Cholera Cured Before-hand | [985] |
| To Baby Bates | [987] |
| To a Child | [987] |
| Fragments from a Notebook, (circa 1796-1798) | [988] |
| Fragments. (For unnamed Fragments see [Index of First Lines].) | [996] |
| Over my Cottage | [997] |
| [The Night-Mare Death in Life] | [998] |
| A Beck in Winter | [998] |
| [Not a Critic—But a Judge] | [1000] |
| [De Profundis Clamavi] | [1001] |
| Fragment of an Ode on Napoleon | [1003] |
| Epigram on Kepler | [1004] |
| [Ars Poetica] | [1006] |
| Translation of the First Strophe of Pindar's Second Olympic | [1006] |
| Translation of a Fragment of Heraclitus | [1007] |
| Imitated from Aristophanes | [1008] |
| To Edward Irving | [1008] |
| [Luther—De Dæmonibus] | [1009] |
| The Netherlands | [1009] |
| Elisa: Translated from Claudian | [1009] |
| Profuse Kindness | [1010] |
| Napoleon | [1010] |
| The Three Sorts of Friends | [1012] |
| Bo-Peep and I Spy— | [1012] |
| A Simile | [1013] |
| Baron Guelph of Adelstan. A Fragment | [1013] |
| Metrical Experiments | [1014] |
| An Experiment for a Metre ('I heard a Voice, &c.') | [1014] |
| Trochaics | [1015] |
| The Proper Unmodified Dochmius | [1015] |
| Iambics | [1015] |
| Nonsense ('Sing, impassionate Soul,' &c.) | [1015] |
| A Plaintive Movement | [1016] |
| An Experiment for a Metre ('When thy Beauty appears') | [1016] |
| Nonsense Verses ('Ye fowls of ill presage') | [1017] |
| Nonsense ('I wish on earth to sing') | [1017] |
| 'There in some darksome shade' | [1018] |
| 'Once again, sweet Willow, wave thee' | [1018] |
| 'Songs of Shepherds, and rustical Roundelays' | [1018] |
| A Metrical Accident | [1019] |
| Notes by Professor Saintsbury | [1019] |
| APPENDIX I | |
| First Drafts, Early Versions, etc. | |
| A. Effusion 35, August 20th, 1795. (First Draft.) [MS. R.] | [1021] |
| Effusion, p. 96 [1797]. (Second Draft.) [MS. R.] | [1021] |
| B. Recollection | [1023] |
| C. The Destiny of Nations. (Draft I.) [Add. MSS. 34,225] " " " (Draft II.) [ibid.] " " " (Draft III.) [ibid.] | [1024] [1026] [1027] |
| D. Passages in Southey's Joan of Arc (First Edition, 1796) contributed by S. T. Coleridge | [1027] |
| E. The Rime of the Ancyent Marinere [1798] | [1030] |
| F. The Raven. [M. P. March 10, 1798.] | [1048] |
| G. Lewti; or, The Circassian's Love-Chant. (1.) [B. M. Add. MSS. 27,902.] | [1049] |
| The Circassian's Love-Chaunt. (2.) [Add. MSS. 35,343.] | [1050] |
| Lewti; or, The Circassian's Love-Chant. (3.) [Add. MSS. 35,343.] | [1051] |
| H. Introduction to the Tale of the Dark Ladie. [M. P. Dec. 21, 1799.] | [1051] |
| I. The Triumph of Loyalty. An Historic Drama. [Add. MSS. 34,225.] | [1069] |
| J. Chamouny; The Hour before Sunrise. A Hymn. [M. P. Sept. 11, 1802.] | [1074] |
| K. Dejection: An Ode. [M. P. Oct. 4, 1802.] | [1076] |
| L. To W. Wordsworth. January 1807 | [1081] |
| M. Youth and Age. (MS. I, Sept. 10, 1823.) " " (MS. II. 1.) " " (MS. II. 2.) | [1084] [1085] [1086] |
| N. Love's Apparition and Evanishment. (First Draft.) | [1087] |
| O. Two Versions of the Epitaph. ('Stop, Christian,' &c.) | [1088] |
| P. [Habent sua Fata—Poetae.] ('The Fox, and Statesman,' &c.) | [1089] |
| Q. To John Thelwall | [1090] |
| R. [Lines to T. Poole.] [1807.] | [1090] |
| APPENDIX II | |
| Allegoric Vision | [1091] |
| APPENDIX III | |
| Apologetic Preface to 'Fire, Famine, and Slaughter' | [1097] |
| APPENDIX IV | |
| Prose Versions of Poems, etc. | |
| A. Questions and Answers in the Court of Love | [1109] |
| B. Prose Version of Glycine's Song in Zapolya | [1109] |
| C. Work without Hope. (First Draft.) | [1110] |
| D. Note to Line 34 of the Joan of Arc Book II. [4o 1796.] | [1112] |
| E. Dedication. Ode on the Departing Year. [4o 1796.] | [1113] |
| F. Preface to the MS. of Osorio | [1114] |
| APPENDIX V | |
| Adaptations | |
| From Fulke Greville, Lord Brooke: | |
| God and the World we worship still together | [1115] |
| The Augurs we of all the world admir'd | [1116] |
| Of Humane Learning | [1116] |
| From Sir John Davies: On the Immortality of the Soul | [1116] |
| From Donne: Eclogue. 'On Unworthy Wisdom' | [1117] |
| Letter to Sir Henry Goodyere | [1117] |
| From Ben Jonson: A Nymph's Passion (Mutual Passion) | [1118] |
| Underwoods, No. VI. The Hour-glass | [1119] |
| The Poetaster, Act I, Scene i. | [1120] |
| From Samuel Daniel: Epistle to Sir Thomas Egerton, Knight | [1120] |
| Musophilus, Stanza cxlvii | [1121] |
| Musophilus, Stanzas xxvii, xxix, xxx | [1122] |
| From Christopher Harvey: The Synagogue (The Nativity, or Christmas Day.) | [1122] |
| From Mark Akenside: Blank Verse Inscriptions | [1123] |
| From W. L. Bowles: 'I yet remain' | [1124] |
| From an old Play: Napoleon | [1124] |
| APPENDIX VI | |
| Originals of Translations | |
| F. von Matthison: Ein milesisches Mährchen, Adonide. | [1125] |
| Schiller: Schwindelnd trägt er dich fort auf rastlos strömenden Wogen. | [1125] |
| Im Hexameter steigt des Springquells flüssige Säule. | [1125] |
| Stolberg: Unsterblicher Jüngling! | [1126] |
| Seht diese heilige Kapell! | [1126] |
| Schiller: Nimmer, das glaubt mir. | [1127] |
| Goethe: Kennst du das Land, wo die Citronen blühn. | [1128] |
| François-Antoine-Eugène de Planard: 'Batelier, dit Lisette.' | [1128] |
| German Folk Song: Wenn ich ein Vöglein wär. | [1129] |
| Stolberg; Mein Arm wird stark und gross mein Muth. | [1129] |
| Leasing: Ich fragte meine Schöne. | [1130] |
| Stolberg: Erde, du Mutter zahlloser Kinder, Mutter und Amme! | [1130] |
| Friederike Brun: Aus tiefem Schatten des schweigenden Tannenhains. | [1131] |
| Giambattista Marino: Donna, siam rei di morte. Errasti, errai. | [1131] |
| MS. Notebook: In diesem Wald, in diesen Gründen. | [1132] |
| Anthologia Graeca: Κοινῇ πὰρ κλισίῃ ληθαργικὸς ἠδὲ φρενοπλὴξ | [1132] |
| Battista Guarini: Canti terreni amori. | [1132] |
| Stolberg: Der blinde Sänger stand am Meer. | [1134] |
| BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE | [1135] |
| BIBLIOGRAPHICAL APPENDIX | |
| No. I. Poems first published in Newspapers or Periodicals. | [1178] |
| No. II. Epigrams and Jeux d'Esprit first published in Newspapers and Periodicals. | [1182] |
| No. III. Poems included in Anthologies and other Works. | [1183] |
| No. IV. Poems first printed or reprinted in Literary Remains, 1836, &c. | [1187] |
| Poems first printed or reprinted in Essays on His Own Times, 1850. | [1188] |
| INDEX OF FIRST LINES | [1189] |
ERRATA
On p. 1179, line 7, for Sept. 27, read Sept. 23.
On p. 1181, line 33, for Oct. 9 read Oct. 29.