The English humour is the most thoughtful, the Spanish the most etherial ­ the most ideal ­ of modern literature. Amongst the classic ancients there was little or no humour in the foregoing sense of the term. Socrates, or Plato under his name, gives some notion of humour in the Banquet, when he argues that tragedy and comedy rest upon the same ground. But humour properly took its rise in the middle ages; and the Devil, the Vice of the mysteries, incorporates the modern humour in its elements. It is a spirit measured by disproportionate finites. The Devil is not, indeed, perfectly humourous; but that is only because he is the extreme of all humour.

Footnote 1

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Every Man Out Of His Humour

. Prologue.

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Footnote 2

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