The causes of this it belongs not to the present occasion to detail at length; but a mere allusion to the quick succession of revolutions in religion, breeding a political indifference in the mass of men to religion itself, the enormous increase of the royal power in consequence of the humiliation of the nobility and the clergy ­ the transference of the papal authority to the crown, ­ the unfixed state of Elizabeth's own opinions, whose inclinations were as popish as her interests were protestant ­ the controversial extravagance and practical imbecility of her successor ­ will help to explain the former period; and the persecutions that had given a life and soul-interest to the disputes so imprudently fostered by James, ­ the ardour of a conscious increase of power in the commons, and the greater austerity of manners and maxims, the natural product and most formidable weapon of religious disputation, not merely in conjunction, but in closest combination, with newly awakened political and republican zeal, these perhaps account for the character of the latter aera.

In the close of the former period, and during the bloom of the latter, the poet Milton was educated and formed; and he survived the latter, and all the fond hopes and aspirations which had been its life; and so in evil days, standing as the representative of the combined excellence of both periods, he produced the

Paradise Lost

as by an after-throe of nature. "There are some persons (observes a divine, a contemporary of Milton's) of whom the grace of God takes early hold, and the good spirit inhabiting them, carries them on in an even constancy through innocence into virtue, their Christianity bearing equal date with their manhood, and reason and religion, like warp and woof, running together, make up one web of a wise and exemplary life. This (he adds) is a most happy case, wherever it happens; for, besides that there is no sweeter or more lovely thing on earth than the early buds of piety, which drew from our Saviour signal affection to the beloved disciple, it is better to have no wound than to experience the most sovereign balsam, which, if it work a cure, yet usually leaves a scar behind." Although it was and is my intention to defer the consideration of Milton's own character to the conclusion of this Lecture, yet I could not prevail on myself to approach the

Paradise Lost

without impressing on your minds the conditions under which such a work was in fact producible at all, the original genius having been assumed as the immediate agent and efficient cause; and these conditions I find in the character of the times and in his own character. The age in which the foundations of his mind were laid, was congenial to it as one golden era of profound erudition and individual genius; ­ that in which the superstructure was carried up, was no less favourable to it by a sternness of discipline and a show of self-control, highly flattering to the imaginative dignity of an heir of fame, and which won Milton over from the dear-loved delights of academic groves and cathedral aisles to the anti-prelatic party. It acted on him, too, no doubt, and modified his studies by a characteristic controversial spirit, (his presentation of God is tinted with it) ­ a spirit not less busy indeed in political than in theological and ecclesiastical dispute, but carrying on the former almost always, more or less, in the guise of the latter.

And so far as Pope's censure

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of our poet, ­ that he makes God the Father a school divine ­ is just, we must attribute it to the character of his age, from which the men of genius, who escaped, escaped by a worse disease, the licentious indifference of a Frenchified court.