THE WOMAN HATER.
Act. I. sc. 2. This scene from the beginning is prose printed as blank verse, down to the line—
E'en all the valiant stomachs in the court—
where the verse recommences. This transition from the prose to the verse enhances, and indeed forms, the comic effect. Lazarillo concludes his soliloquy with a hymn to the goddess of plenty.
ON THE PROMETHEUS OF ÆSCHYLUS:
An Essay, preparatory to a series of disquisitions respecting the Egyptian, in connection with the sacerdotal, theology, and in contrast with the mysteries of ancient Greece. Read at the Royal Society of Literature, May 18, 1825.