Illustrated:
Böttiger, Svenska Statins Samling, vol. 3, pl. XLII.
Lent by P. W. French & Company.
The massive yet active figures, the large folded, swinging drapes, the luxurious and heavy accessories are all typical of the work of a time when the large, the impressive, and the elaborate were sought in all forms of art. The manner was introduced into tapestry cartoons by Rubens and carried on by many of his pupils and imitators. Even the outline of the composition of this piece follows closely that of Rubens' famous Triumphs, from which the suggestion for the cartoon was undoubtedly taken.
45 FLANDERS, XVII CENTURY
Wool, Silk, Gold.
H. 3 ft. 1 in.
W. 4 ft.
Lent by Duveen Brothers.
THE VIRGIN AND CHILD: The Virgin in a pale red gown with a dark-blue cloak falling about her is seated on the ground. The child holding a staff in the form of a cross sits on her knee. Beyond is a castle, and against the sky a high mountain. Wide floral border. The high lights are in gold.
This is a most exceptional piece of tapestry, evidently made to special order, probably for a private chapel, after an Italian Renaissance painting. The excessive fineness of the weave and the unstinted use of gold to render the high lights indicate that it was made for a person of wealth and importance.
The painting is faithfully and delicately reproduced and the border is remarkably rich and glowing.
46 BRUSSELS, LATE XVII, EARLY XVIII CENTURY
Wool and Silk.
H. 12 ft.
W. 17 ft. 6 in.
Lent by P. W. French & Company.