I.[HYMN TO APHRODITE]
II.[ODE TO ANACTORIA]
III.[WHERE BLOOMS THE MYRTLE]
IV.[I LOVED THEE]
V.[INVOCATION]
VI.[CLAÏS]
VII.[TO A SWALLOW]
VIII.[LOVE]
IX.[WEDDING SONG]
X.[EVENING]
XI.[MAIDENHOOD]
XII.[MOONLIGHT]
XIII.[ORCHARD SONG]
XIV.[DICA]
XV.[GRACE]
XVI.[AS ON THE HILLS]
XVII.[TO ATTHIS]
XVIII.[AS WIND UPON THE MOUNTAIN OAKS]
XIX.[GOODNESS]
XX.[THE FISHERMAN'S TOMB]
XXI.[TIMAS]
XXII.[DEAD SHALT THOU LIE]
XXIII.[DEATH]
XXIV.[ALCÆUS AND SAPPHO]
XXV.[THE ALTAR]
XXVI.[THE ALTAR]
XXVII.[LOVE]
XXVIII.[LIKE THE SWEET APPLE]
XXIX.[PROPHESY]
XXX.[FOR THEE]
XXXI.[FRIEND]
XXXII.[THE MOON HAS SET]
XXXIII.[THE SKY]
XXXIV.[TO HER LYRE]
XXXV.[NEVER ON ANY MAIDEN]
XXXVI.[* * *]
XXXVII.[ANGER]
XXXVIII.[ADONIS]
XXXIX.[LEDA]
XL.[THE CAPTIVE]
XLI.[INVOCATION]
XLII.[YOUTH AND AGE]
XLIII.[FRAGMENT]
XLIV.[THE LESBIAN SINGER]
XLV.[ON THE TOMB OF A PRIESTES OF ARTEMIS]
XLVI.[TO A BRIDE]
XLVII.[HERMES]
XLVIII.[ADONIS]
XLIX.[SLEEP]
L.[THY FORM IS LOVELY]
LI.[THE BRIDEGROOM]
LII.[REGRET]
LIII.[FRAGMENT]
LIV.[SAPPHO TO PHAON]

I
HYMN TO APHRODITE
Daughter of Zeus and Immortal,
Aphrodite, serene
Weaver of spells, at thy portal
Hear me and slay not, O Queen!
As in the past, hither to me
From thy far palace of gold,
Drawn by the doves that o'erflew me,
Come, as thou earnest of old.
Swiftly thy flock bore thee hither,
Smiling, as turned I to thee,
Spoke thou across the blue weather,
"Sappho, why callest thou me?"
"Sappho, what Beauty disdains thee,
Sappho, who wrongest thine heart,
Sappho, what evil now pains thee,
Whence sped the dart?
"Flies from thee, soon she shall follow,
Turns from thee, soon she shall love,
Seeking thee swift as the swallow,
Ingrate though now she may prove."
Come, once again to release me,
Join with my fire thy fire,
Freed from the torments that seize me,
Give me, O Queen! my desire!
II
ODE TO ANACTORIA
That man, whoever he may be,
Who sits awhile to gaze on thee,
Hearing thy lovely laugh, thy speech,
Throned with the gods he seems to me;
For when a moment to mine eyes
Thy form discloses, silently
I stand consumed with fires that rise
Like flames around a sacrifice.
Sight have I none, bells out of tune
Ring in mine ears, my tongue lies dumb;
Paler than grass in later June,
Yet daring all
(To thee I come).
III
WHERE BLOOMS THE MYRTLE
O Muse, upon thy golden throne,
Far in the azure, fair, alone.
Sing what the Teian sweetly sang,—
The Teian sage whose lineage sprang
Where blooms the myrtle in the gay
Land of fair women far away.
IV
I LOVED THEE
I loved thee, Atthis, once,
once long ago.
V
INVOCATION
Goddess of Cyprus come (where beauty lights
The way) and serve in cups of gold these lips
With nectar, mixed by love with all delights
Of golden days, and dusk of amorous nights.
VI
CLAÏS
I have a daughter,
Claïs fair,
Poised like a golden flower in air,
Lydian treasures her limbs outshine
(Claïs, beloved one,
Claïs mine!)
VII
TO A SWALLOW
Pandion's daughter—O fair swallow,
Why dost thou weary me—
(Where should I follow?)
VIII
LOVE
Sweet mother, at the idle loom I lean,
Weary with longing for the boy that still
Remains a dream of loveliness—to fill
My soul, my life, at Aphrodite's will.
IX
WEDDING SONG
Workmen lift high
The beams of the roof,
Hymenæus!
Like Ares from sky
Comes the groom to the bride.
Hymenæus!
Than men who must die
Stands he taller in pride,
Hymenæus!
X
EVENING
Children astray to their mothers, and goats to the herd,
Sheep to the shepherd, through twilight the wings of the bird,
All things that morning has scattered with fingers of gold,
All things thou bringest, O Evening! at last to the fold.
XI
MAIDENHOOD
Maidenhood! Maidenhood! where hast thou gone from me.
Whither, O Slain!
I shall return to thee, I who have gone from thee, never again.
XII
MOONLIGHT
The stars around the fair moon fade
Against the night,
When gazing full she fills the glade
And spreads the seas with silvery light.
XIII
ORCHARD SONG
Cool murmur of water through apple-wood
Troughs without number
The whole orchard fills, whilst the leaves
Lend their music to slumber.
XIV
DICA
With flowers fair adorn thy lustrous hair,
Dica, amidst thy locks sweet blossoms twine,
With thy soft hands, for so a maiden stands
Accepted of the gods, whose eyes divine
Are turned away from her—though fair as May
She waits, but round whose locks no flowers shine.
XV
GRACE
What country maiden charms thy heart,
However fair, however sweet,
Who has not learned by gracious Art
To draw her dress around her feet?
XVI
AS ON THE HILLS
As on the hills the shepherds trample the hyacinth down,
Staining the earth with darkness, there where a flower has blown.
XVII
TO ATTHIS
Hateful my face is to thee,
Hateful to thee beyond speaking,
Atthis, who fliest from me
Like a white bird Andromeda seeking.
XVIII
AS WIND UPON THE MOUNTAIN OAKS
As wind upon the mountain oaks in storm,
So Eros shakes my soul, my life, my form.
XIX
GOODNESS
He who is fair is good to look upon;
He who is good is fair, though youth be gone.
XX
THE FISHERMAN'S TOMB
Over the fisher Pelagon Meniscus his father set
The oar worn by the wave, the trap, and the fishing net;—
For all men, and for ever, memorials there to be
Of the luckless life of the fisher, the labourer of the sea.
XXI
TIMAS
This is the dust of Tunas, who, unwed,
Passed hence to Proserpina's house of gloom.
In mourning all her sorrowing playmates shed
Their curls and cast the tribute on her tomb.
XXII
DEAD SHALT THOU LIE
Dead shalt thou lie for ever, and forgotten,
For whom the flowers of song have never bloomed;
A wanderer amidst the unbegotten,
In Hades' house a shadow ay entombed.
XXIII
DEATH
Death is an evil, for the gods choose breath;
Had Death been good the gods had chosen Death.
XXIV
ALCÆUS AND SAPPHO
ALCÆUS
Seet violet-weaving Sappho, whose soft smile
My tongue should free,
Lo, I would speak, but shame holds me the while
I gaze on thee.
SAPPHO
Hadst thou but felt desire of noble things,
Hadst not thy tongue proposed to speak no good,
Thy words had not been destitute of wings,
Nor shame thine eyes subdued.
XXV
THE ALTAR
Then the full globed moon arose, and there
The women stood as round an altar fair.
XXVI
THE ALTAR
And thus at times, in Crete, the women there
Circle in dance around the altar fair;
In measured movement, treading as they pass
With tender feet the soft bloom of the grass.
XXVII
LOVE
All delicacy unto me is lovely, and for me,
O Love!
Thy wings are as the midday fire,
Thy splendour as the sun above.
XXVIII
LIKE THE SWEET APPLE
Like the sweet apple that reddens
At end of the bough—
Far end of the bough—
Left by the gatherer's swaying,
Forgotten, so thou.
Nay, not forgotten, ungotten,
Ungathered (till now).
XXIX
PROPHESY
Methinks hereafter in some later spring
Echo will bear to men the songs we sing.
XXX
FOR THEE
For thee, unto the altar will I lead
A white goat—
To the altar by the sea;
And there, where waves advance and waves recede,
A full libation will I pour for thee.
XXXI
FRIEND
Friend, face me so and raise
Unto my face thy face,
Unto mine eyes thy gaze,
Unto my soul its grace.
XXXII
THE MOON HAS SET
The moon has set beyond the seas,
And vanished are the Pleiades;
Half the long weary night has gone,
Time passes—yet I lie alone.
XXXIII
THE SKY
I think not with these two
White arms to touch the blue.
XXXIV
TO HER LYRE
Singing, O shell, divine!
Let now thy voice be mine.
XXXV
NEVER ON ANY MAIDEN
Never on any maiden, the golden sun shall shine,
Never on any maiden whose wisdom matches thine.
XXXVI
* * *
I spoke with Aphrodite in a dream.
XXXVII
ANGER
When anger stirs thy breast,
Speak not at all
(For words, once spoken, rest
Beyond recall).
XXXVIII
ADONIS
Ah for Adonis!
(Where the willows sigh
The call still comes
Through spring's sweet mystery.)
XXXIX
LEDA
They say, 'neath leaf and blossom
Leda found in the gloom
An egg, white as her bosom,
Under an iris bloom.
XL
THE CAPTIVE
Now Love has bound me, trembling, hands and feet,
O Love so fatal, Love so bitter-sweet.
XLI
INVOCATION
Come to me, O ye graces,
Delicate, tender, fair;
Come from your heavenly places,
Muses with golden hair.
XLII
YOUTH AND AGE
If love thou hast for me, not hate,
Arise and find a younger mate;
For I no longer will abide
Where youth and age lie side by side.
XLIII
FRAGMENT
From heaven returning;
Red of hue, his chlamys burning
Against the blue.
XLIV
THE LESBIAN SINGER
Upstanding, as the Lesbian singer stands
Above the singers of all other lands.
XLV
ON THE TOMB OF A PRIESTESS OF ARTEMIS
Voiceless I speak, and from the tomb reply
Unto Æthopia, Leto's child, was I
Vowed by the daughter of Hermocleides,
Who was the son of Saonaiades.
O virgin queen, unto my prayer incline,
Bless him and cast thy blessing on our line.
XLVI
TO A BRIDE
Bride, around whom the rosy loves are flying,
Sweet image of the Cyprian undying,
The bed awaits thee; go, and with him lying,
Give to the groom thy sweetness, softly sighing.
May Hesperus in gladness pass before thee,
And Hera of the silver throne bend o'er thee.
XLVII
HERMES
Ambrosia there was mixed, and from his station
Hermes the bowl for waiting gods outpoured;
Then raised they all their cups and made oblation,
Blessing the bridegroom (by the bride adored).
XLVIII
ADONIS
Tender Adonis stricken is lying.
What, Cytherea, now can we do?
Beat your breasts, maidens, Adonis is dying,
Rending your garments (the white fragments strew).
XLIX
SLEEP
With eyes of darkness,
The sleep of night.
L
THY FORM IS LOVELY
Thy form is lovely and thine eyes are honeyed,
O'er thy face the pale
Clear light of love lies like a veil.
Bidding thee rise,
With outstretched hands,
Before thee Aphrodite stands.
LI
THE BRIDEGROOM
Joy born of marriage thou provest,
Bridegroom thrice blest,
Holding the maiden thou lovest
Clasped to thy breast.
LII
REGRET
Those unto whom I have given,
These have my heart most riven.
LIII
FRAGMENT
Upon thy girl friend's white and tender breast,
Sleep thou, and on her bosom find thy rest.
LIV
SAPPHO TO PHAON
A NEW RENDERING OF OVID'S HEROIC EPISTLE, XV.
I
Phaon, most lovely, closest to my heart,
Can your dear eyes forget, or must I stand
Confessed in name, beloved that thou art,
Lost to my touch and in another land.
Sappho now calls thee, lyre and Lyric Muse
Forgotten, and the tears born of her wrongs
Blinding her eyes, upturned but to refuse
Phœbus, the fountain of all joyous songs.
I burn, as when in swiftness, past the byres,
Flame takes the corn, borne by the winds that blow;
For what are Ætna's flames to my desires,
Thou, who by Ætna wanderest, O Thou!
The Lyric Muse has turned, as I from her,
Peace, Peace alone can join us once again,
The blue sea in its solitude lies fair,
But, desolate, I turn from it in pain.
No more the girls of Lesbos move my heart,
My blameless love for them is now no more,
Before my love for thee all loves depart,
Cold wanderer thou upon a distant shore.
O thou art lovely! wert thou garbed like him,
Apollo by thy side a shade would be.
Garland thy tresses with the ivy dim
And Bacchus would be less himself, by thee.
Apollo, yet, who bent, as Bacchus fell,
One to the Cretan, one to Daphne's fire,
Beside me, what are they? I cast my spell
O'er seas and lands, the music of my lyre
Echoes across the world where mortals dwell,
Renders the earth in tune with my desire.
Alcæus strikes Olympus with his song,
Boldly and wild his music finds its star.
Unto the human does my voice belong
And Aphrodite smiles on me from far.
Have I no charms? has genius lost her touch
To turn simplicity to beauty's zone?
Am I so small, whose towering height is such
That in the world of men I stand alone?
Yea, I am brown—an Æthiopian's face
Turned Perseus from his path, a flame of fire.
White doves or dark, which hath the finer grace?
Are they not equal, netted by desire?
If by no charm except thine own sweet charm
Thou can'st be moved, ah then, alas, for me!
Fires of the earth thy coldness will not warm,
And Phaon's self must Phaon's lover be.
Yet once, ah once! forgetful of the world,
You lay engirdled by this world of mine,
Those nights remain, be earth to darkness hurled,
Deathless, as passion's ecstasy divine.
My songs around you were the only birds,
My voice the only music, in your fire
With kisses, burning yet, you killed my words
And found my kisses sweeter than desire.
I filled you with delight, when close embraced;
In the last act of love I gave you heaven,
And yet again, delirious as we faced,
And yet again, till in exhaustion, even
Love's self half died and nothing more remained,
But earth and life half lost, and heaven gained.
And now, Sicilian girls—O heart of mine,
Why was I born so far from Sicily?—
Sicilian girls, unto my words incline,
Beware of smiles, of insincerity,
Beware the words that once belonged to me,
The fruits of passion and the seeds of grief;
O Cyprian by the fair Sicilian sea,
Sappho now calls thee, turn to her relief!
Shall Fortune still pursue me, luckless one,
With hounds of woe pursue me down the years?
Sorrow was mine since first I saw the sun,
The ashes of my parents knew my tears.
My brother cast the gifts of life away
For one unworthy of all gifts but gold,
Grief follows grief and on this woeful day
An infant daughter in my arms I hold.
Fates! What more can ye do, what more essay?
Phaon! ah yes, he is the last, I know.
The first, the all, the grave that once was gay,
The dark veil o'er my purple robe ye throw,
My curls no more are curls, nor scent the air
With perfume from the flowers Egyptians grow,
The gold that bound these locks of mine so fair
Has parted for the wind these locks to blow.
All arts of love were mine when he was by,
Whose sun is now the sun of Sicily.
Phaon! when I was born, the mystic three
Called Aphrodite on my birth to gaze,
And then the Cyprian, turning, called on thee
To be my fate and fill my dreams and days.
Thou for whose sake Aurora's eyes might turn
From Cephalus, or Cynthia give thee sleep,
Pouring oblivion from night's marble urn,
Bidding Endymion to watch thy sheep!
—Lo! as I write I weep, and nought appears
But Love, half veiled by broken words and tears.
You! you! who left me without kiss or tear
Or word, to murmur softly like a child
Begotten of thy voice, deception were
Less cruel far than silence, you who smiled
Falsely so often, had you no false phrase—
You who so often had false tales to tell—
No voice there, at the parting of our ways,
To say "Farewell, O Love!" or just "Farewell"!
I had no gift to give you when you passed,
And wrongs were all the gifts received from thee,
I had no words to tell you at the last
But these: "Forgo not life, forget not me."
And when I heard, told by some casual tongue,
That thou wert gone, Grief turned me then to stone,
Voiceless I stood as though I ne'er had sung,
Pulseless and lost, for ever more alone.
Without a sigh, without a tear to shed,
Grief held me, Grief who has no word to say.
Then, rising as one rises from the dead,
My soul broke forth as one breaks forth to slay.
Rending and wounding all this frame of mine,
Cursing the Gods, the moments and the years,
Now like the clouds of storm, where lightnings shine,
Uplifted, then resolving into tears.
Debased, when turns my brother in his scorn
My grief to laughter, pointing to my child;
Till madness takes me as the fire the corn
And, in reviling thee, I stand reviled.
Ah! but at night, At night I turn to thee.
In dreams our limbs are joined, as flame with flame,
In dreams again your arms are girdling me,
I taste your soul in joys I blush to name.
Ah! but the day that follows on the night,
The emptiness that drives me to the plain
To seek those spots that knew my lost delight,
The grotto that shall shield us not again.
Here lies the grass we pressed in deeds of love,
Lips, limbs entwined—I kiss the ground to-day.
The herbs lie withered, and the birds that move
Are songless, and the very trees are grey.
Night takes the day and falls upon the groves,
The nightingale alone is left to cry,
Lamenting, in the song that sorrow loves,
To Tereus she calls, to Phaon, I.
II
There is a spring, through whose cool water shows
The sand like silver, clear as seen through air.
There is a spring, above whose mirror grows
A lotus like a grove in flower fair.
Here, as I lay in tears, a spirit stood
Born of the water, then she called to me,
Sappho, pursuing Love, by Grief pursued,
Sappho, beside the blue Leucadian sea
There stands a rock, and there above the caves,
Whose wandering echoes reach Apollo's fane,
Down leaping to the blue and breaking waves,
Lovers find sleep, nor dream of love again.
Deucalion here found ease from Pyrrah's scorn,
Sappho arise, and where the sharp cliffs fall,
Thy body, that had better not been born,
Cast to the waves, the blue, blue waves that call.
I rise, and weeping silently, I go.
My fear is great, my love is greater still.
Better oblivion than the love I know,
Kinder than Phaon's is the blue wave's will.
Ye favouring breezes, guard me on this day,
Love, lend your pinions, waft me o'er the sea
Where, lovely Phœbus, on thy shrine I'll lay
My lyre, with this inscription unto thee:
"Sappho to Phœbus consecrates her lyre,
Unto the God the gift, the fire to fire."
III
Alas! and woe is me.
But must I go?
O Phaon, Phœbus' self to me is less
Than Phaon—will you cast me down below
All broken, for the cruel rocks to press
This breast, that loved thee, ruined?—Ah! the song
Born of the Muses leaves me and the lyre
Is voiceless—they no more to me belong,
And in this darkness dies the heavenly fire.
Farewell, ye girls of Lesbos, fare ye well;
No more the groves shall answer to my song,
No more these hands shall wake the lyre to tell
Of Love, of Life—to Phaon they belong,
And he has fled.
O Loveliness, return,
Make once again my soul to sing in joy,
Feed once again this heart with fires that burn,
Gods! can no prayers avail but to destroy,
No songs bring back the lost, no sighs recall
The lost that was my love, my life, my all?
Return! Return! Raise to the wind thy sail,
Across the sea bring back to me the years,
Eros shall lend to thee the favouring gale,
The track is sure where Aphrodite steers.
Let thy white sail be lifted on the rim
Of sky that marks the dark dividing seas.
Failing that far-off sail, remain the dim
Blue depths where once Deucalion found release.
Failing that far-off sail, the waves shall give
Death, or Forgetfulness, whilst still I live.

THE END