I practised with a will next day. On the great day, when I passed the sable giant, Ossian, pulling away at the rope under the belfry, and heard the solemn bell announcing that my hour had come, my heart sank within me. But Ossian gave me a glittering smile which showed all his magnificent ivories. He was grinning because he was going to pump the organ for such a slip of a lass as I!
On arriving at the organ gallery, I found my choir,—several ladies whom I knew, and a group of fine-looking students from the University. They looked down kindly on the small organist, with her hair hanging in two braids down her back. I resolutely kept that small back to the drawn curtain! Only the tip of one of Miss Willy's nodding plumes, and I should have been undone!
All went well. The singing was fine from half a dozen manly throats, supplementing two or three female voices and my own little pipe. I was soon lost to my surroundings in the enjoyment of my work. When, on the last day, the good bishop asked for the grand old hymn, "How firm a foundation, ye saints of the Lord," it thrilled my soul to hear the church fill with the triumphant singing of the congregation, led by little me and my improvised choir.
CHAPTER VIII
The society of Charlottesville in the forties was composed of a few families of early residents and of the professors at the University. Governor Gilmer, Secretary of the Navy in Tyler's time, Mr. Valentine Southall of an old Virginia family, and himself eminent in his profession of the law, Dr. Charles Carter, Professor Tucker, William B. Rogers, Dr. McGuffey, Dr. Cabell, Professor Harrison,—all these names are well known and esteemed to this day. There were young people in these families, and all them were my friends. Along the road I have travelled for so many years I have met none superior to them and very few their equals.
My special coterie was a choice one. It included, among others, Lizzie Gilmer (the lovely) and her sisters; beautiful Lucy Southall; Maria Harrison and her sweet sister Mary, both accomplished in music and literature; Eliza Rives and Mary McGuffey. James Southall, William C. Rives, Jr., George Wythe Randolph, Jack Seddon, Kinsey Johns, Professor Schéle de Vere, John Randolph Tucker, St. George Tucker—these were habitués of my home, and all apparently interested in me and in my music. To each name I might append a list of honors won, at the bar, in literature, and in the army. I have survived them all—and I kept the friendship of each one as long as he lived. The customs in entertaining differed from those in vogue at the present day. Afternoon teas, which had been fashionable during the Revolution—tea then being a rare luxury—had not survived until the forties. Choice Madeira in small glasses, and fruit-cake were offered to afternoon callers. The cake must always be au naturel if served in the daytime. Cake iced—in evening dress—was only permissible at the evening hour.
Dinner-parties demanded a large variety of dishes. They were not served à la Russe. Two table-cloths were de rigueur for a dinner company. One was removed with the dishes of meat, vegetables, celery, and many pickles, all of which had been placed at once upon the table. The cut-glass and silver dessert dishes rested on the finest damask the housewife could provide. This cloth removed, left the mahogany for the final walnuts and wine.
Three o'clock was a late hour for a dinner-party—the ordinary family dinner was at two. The large silver tureen, which is now enjoying a dignified old age on our sideboards, had then place at the foot of the table. After soup, boiled fish appeared at the head.
An interview has been preserved between a Washington hostess of the time and Henry, an "experienced and fashionable" caterer. Upon being required to furnish the smallest list of dishes possible for a "genteel" dinner-party of twelve persons, he reluctantly reduced his menu to soup, fish, eight dishes of meat, stewed celery, spinach, salsify, and cauliflower. "Potatoes and beets would not be genteel." The meats were turkey, ham, partridges, mutton chops, sweetbreads, oyster pie, pheasants, and canvas-back ducks. "Plum-pudding," suggested the hostess. "La, no, ma'am! All kinds of puddings and pies are out of fashion." "What, then, can I have at the head and foot of the table?" asked the hostess. "Forms of ice-cream at the head, and at the foot a handsome pyramid of fruit. Side dishes, jellies, custards, blanc-mange, cakes, sweetmeats, and sugar-plums." "No nuts, raisins, figs?" "Oh, no, no, ma'am, they are quite vulgar!"
For the informal supper-parties, to which my aunt was wont to invite the governor and Mrs. Gilmer, Mr. and Mrs. Southall, Professor and Mrs. Tucker, the table was amply furnished with cold tongue, ham, broiled chickens or partridges, and pickled oysters, hot waffles, rolls and muffins, very thin wheaten wafers, green sweetmeats, preserved peaches, brandied peaches, cake, tea, and coffee; and in summer the fruits of the season. These suppers made a brave showing with the Sheffield candelabra and bowls of roses. Ten years later these "high teas" were quite out of fashion, and would, by a modern "fashionable caterer," be condemned as "vulgar." There was a crusade against all card-playing and dancing. The pendulum was swinging far back from an earlier time when the punchbowl and cards ruled the evening, and the dancing master held long sessions, travelling from house to house. To have a regular dancing party, with violins and cotillon, was like "driving a coach-and-six straight through the Ten Commandments!" My aunt, however, had the courage of her convictions, and allowed me small and early dances in our parlor, with only piano music. Old Jesse Scott lived at the foot of the hill—but to the length of introducing him and his violin we dared not go. As it was, after our first offence, a sermon was preached in the Presbyterian church against the vulgarity and sin of dancing. My aunt listened respectfully but continued the dance she deemed good for my health and spirits.