One morning, when I was passing the corner of Fifteenth Street, below President Square, my steps were arrested by a large crowd which had assembled in front of the bank of Corcoran & Riggs. "Dear me," I thought, "has the bank failed?" But the green blinds of the plain two-storied building were all open, and presently through the opening door, escorted by Mr. Riggs himself, came a slight little maid in a Connemara cloak and hood. Mr. Riggs put her in a waiting carriage, slammed the door, and, with a look which said plainly to the waiting crowd, "No more this time," reëntered the house.

The little lady was Adelina Patti—just sixteen—and Mr. Riggs's guest during the few days she spent in Washington on her way to meet Southern engagements. Congressmen tendered her a complimentary benefit, and she sang in a small hall, supported by a few local musicians. She stood before us in a simple muslin slip, her dark hair bound with a narrow blue velvet ribbon,—a Scottish "snood,"—and never, in all her brilliant life, was she more appreciated, more admired.

I could remember a time of musical dearth in Virginia, relieved only by rare occasions when the dimly lighted concert rooms would be filled by eager listeners to wandering minstrels: the Hutchinson family, Anna Bishop, the Orpheans, Parodi, and Amalia Patti. After a while Strakosch appeared with an infant phenomenon. She looked precisely like a French doll, with her little round face, pink cheeks, and big black eyes, dressed in short frocks of rose-color or blue silk. But she sang like a linnet on a bough; and it was comical to see her in her duets inclining her small head toward her contralto, after the manner of other divas. This was the ten-year-old Adelina Patti!

"What does she keep in her throat?" asked a little girl near her own age—adding comfortably, "Never mind, we will find out when she dies!"

Maurice Strakosch accompanied her on a square piano placed upon the floor, the platform being often too narrow to admit it. He played, frequently turning his face to the audience, nodding and smiling, as if to say:—

"See this little marvel I have discovered! Is she not a darling?"

The midget had an uncertain temper in those days. Travelling once in the same car with a lady who took her fancy, she found an opportunity to free her mind of her opinion of her troupe: Amalia was jealous of her; Amalia would shake and pinch her behind the scenes if the audience applauded her; Strakosch was utterly horrid—just observe his great hands! Not for worlds would she sing for him were it not for the sugar-plums!

At the end of the journey Strakosch approached the little girl and held out his hand to take her to her sister.

"I am not going with you," said Adelina, "I am going home with this lady."

"Ah, but impossible!" said Strakosch.