"Impossible!" said Mr. James. "Imagine a hero in a gig or a curricle!"
"Perhaps," said one, "the word 'solitary' has given offence. Americans dislike exclusiveness. They are sensitive, you see, and look out for snobs."
He made himself very merry over it; but the solitary horseman appeared no more in the few novels he was yet to write.
One day, after a pleasant visit from Mr. James and his wife, I accompanied them at parting to the front door, and found some difficulty in turning the bolt. He offered to assist, but I said no—he was not supposed to understand the mystery of an American front door.
Having occasion a few minutes afterward to open the door for another departing guest, there on his knees outside was Mr. James, who laughingly explained that he had left his wife at the corner, and had come back to investigate that mystery. "Perhaps you will tell me," he added, and was much amused to learn that the American door opened of itself to an incoming guest, but positively refused without coaxing to let him out. "By George, that's fine!" he said, "that'll please the critics in my next." I never knew whether it was admitted, for I must confess that, even with the stimulus of his presence, his books were dreary reading to my uninstructed taste.
A very lovely and charming actress was prominent in Washington society at this time,—the daughter of an old New York family, Anna Cora (Ogden) Mowatt. She was especially interesting to Virginians, for she had captivated Foushee Ritchie, soon afterward my husband's partner on the editorship of the Richmond Enquirer. Mr. Ritchie, a confirmed old bachelor, had been fascinated by Mrs. Mowatt's Parthenia (in "Ingomar") and was now engaged to her. He proudly brought to me a pair of velvet slippers she had embroidered for him, working around them as a border a quotation from "Ingomar":—
"Two souls with but a single thought,
Two hearts that beat as one."
And oh, how angry he was when an irreverent voice whispered one word, "Soles!"