'Isn't it lovely?' asked Miss Stacy, with enthusiasm. Two cows in the middle distance suddenly disappeared behind a hayrick, and for a moment the values of the landscape became confused. Still, I was able to say that it was lovely, and so neat—which opinion I was obliged to explain to Miss Stacy, as I have to you, while the brown pony took us thoughtfully on.

XXVI

[Original]

DROVE in at the gates of Hallington House as one might drive into the scene of a dear old dream—a dream that one has half-believed and half-doubted, and wholly loved, and dreamed again all one's life long. There it stood, as I had always wondered if I might not see it standing in that far day when I should go to England, behind its high brick wall, in the midst of its ivies and laburnums and elms and laurel-bushes, looking across where its lawns dipped into its river at soft green meadows sloping to the west—a plain old solid grey stone English country-house so long occupied with the birthdays of other people that it had quite forgotten its own. Very big and very solid, without any pretentiousness of Mansard roof, or bow window, or balcony, or verandah its simple story of strength and shelter and home and hospitality was plain to me between its wide-open gates and its wide-open doors, and I loved it from that moment.

It was the same all through—the Stacys realised the England of my imagination to me most sweetly and completely; I found that there had been no mistake. Mrs. Stacy realised it, pretty and fresh and fair at fifty, plump and motherly in her black cashmere and lace, full of pleasant greetings and responsible inquiries. So did the Squire, coming out of his study to ask, with courteous old-fashioned solicitude, how I had borne the fatigue of the journey—such a delightful old Squire, left over by accident from the last century, with his high-bred phraseology and simple dignity and great friendliness. So did the rest of the Stacy daughters, clustering round their parents and their guest and the teapot, talking gaily with their rounded English accent of all manner of things—the South Kensington Museum, the Pinbury commissions, the prospects for tennis. Presently I found myself taken through just such narrow corridors and down just such unexpected steps as I would have hoped for, to my room, and left there. I remember how a soft wind came puffing in at the little low, tiny-paned window flung back on its hinges, swelling out the muslin curtains and bringing with it the sweetest sound I heard in England—a cry that was quite new and strange, and yet came into me from the quiet hedges of the nestling world outside, as I sat there bewitched by it, with a plaintive familiarity—'Cuckoo!'... 'Cuckoo!' I must have heard it and loved it years ago, when the Wicks lived in England, through the ears of my ancestors. Then I discovered that the room was full of a dainty scent that I had not known before, and traced it to multitudinous little round flower-bunches, palest yellow and palest green, that stood about in everything that would hold them—fresh and pure and delicious, all the tender soul of the spring in them, all the fairness of the meadows and the love of the shy English sun. Ah, the charm of it! It is almost worth while being brought up in Chicago to come fresh to cuckoos and cowslips, and learn their sweet meaning when you are grown up and can understand it. I mean, of course, entirely apart from the inestimable advantages of a Republican form of Government, female emancipation, and the climate of Illinois. We have no cowslips in Chicago, and no cuckoos; and the cable cars do not seem altogether to make up for them. I couldn't help wishing, as I leaned through my low little window into the fragrant peace outside, that Nature had taken a little more time with America.

'Cuckoo!' from the hedge again! I could not go till the answer came from the toppling elm-boughs in the field corner, 'Cuckoo!' And in another minute, if I listened, I should hear it again.