Miss Corke looked at me. 'You idjit!' she said. 'He did nothing of the sort.'
'Michael Drayton!' I read amongst other names which surprised me by their unfamiliarity; for in America, whatever Peter Corke may say, if we have a strong point, it is names—'who was Michael Drayton? and why was he entitled to a bust?'
'He wrote the "Polyolbion,"' said Miss Corke, as if that were all there was to say about it.
'Do you know,' I said—'I am ashamed to confess it, but even of so well-known and interesting a work of genius as the "Polyolbion" I have committed very few pages to memory!'
'Oh!' returned Miss Peter, 'you're getting unbearable! There's a lovely epitaph for you, of Edmund Spenser's, "whose divine spirrit needs noe othir witnesse than the workes which he left behind him." You will kindly make no ribald remarks about the spelling, as I perceive you are thinking of doing. Try and remember that we taught you to spell over there. And when Edmund Spenser was buried, dear damsel, there came a company of poets to the funeral—Shakespeare, doubtless, among them—and cast into his grave all manner of elegies.'
'Of their own composition?' I inquired.
'Stupid!—certainly! And the pens that wrote them!'
I said I thought it a most beautiful and poetic thing to have done, if they kept no copies of the poems, and asked Miss Corke if she believed anything of the kind would be possible now.
'Bless you!' she replied. 'In the first place, there aren't the poets; in the second place, there isn't the hero-worship; in the third place, the conditions of the poetry-market are different nowadays—it's more expensive than it used to be; the poets would prefer to send wreaths from the florist's—you can get quite a nice one for twelve-and-six;' and Peter Corke made a little grimace expressive of disgust with the times. 'We used to have all poets and no public, now we have all public and no poets!' she declared, 'now that he is gone—and Tennyson can't live for ever.' Miss Corke pointed with her parasol to a name in the stone close to my right foot. I had been looking about me, and above me, and everywhere but there. As I read it I took my foot away quickly, and went two or three paces off. It was so unlooked-for, that name, so new to its association with death, that I stood aside, held by a sudden sense of intrusion. He had always been so high and so far off in the privacy of his genius, so revered in his solitudes, so unapproachable, that it took one's breath away for the moment to have walked unthinkingly over the grave of Robert Browning. It seemed like taking an advantage one would rather not have taken—even to stand aside and read the plain, strong name in the floor, and know that he, having done with life, had been brought there, and left where there could be no longer about him any wonderings or any surmises. Miss Corke told me that she knew him, 'as one can say one knows such a man,' and how kindly his interest was in all that the ordinary people of his acquaintance like herself were thinking and doing; but the little, homely stories she related to me from her personal knowledge of him seemed curiously without relevance then. Nothing mattered, except that he who had epitomised greatness in his art for the century lay there beneath his name in the place of greatness. And then, immediately, from this grave of yesterday, there came to me light and definition for all the graves of the day before. It stole among the quaint lettering of the inscriptions, and into the dusty corners of the bas-reliefs, and behind all the sculptured scrolls and laurels, and showed me what I had somehow missed seeing sooner—all that shrined honour means in England; and just in that one little corner how great her possessions are! Miss Corke said something about the royal tombs and the coronation chair, and the wax effigies in the chamber above the Islip Chapel, and getting on; but, I if you don't mind,' I said, 'I should like to sit down here for a while with the other Americans and think.'