And she has waited. I never thought she would, but she has. From time to time men have wished to take her from us, but the standard has been inexorable, and none of them have reached it. When Dacres married the charming American whom he caught like a butterfly upon her Eastern tour, Cecily sent them as a wedding present an alabaster model of the Taj, and I let her do it—the gift was so exquisitely appropriate. I suppose he never looks at it without being reminded that he didn’t marry Miss Farnham, and I hope that he remembers that he owes it to Miss Farnham’s mother. So much I think I might claim; it is really very little considering what it stands for. Cecily is permanently with us—I believe she considers herself an intimate. I am very reasonable about lending her to her aunts, but she takes no sort of advantage of my liberality; she says she knows her duty is at home. She is growing into a firm and solid English maiden lady, with a good colour and great decision of character. That she always had.
I point out to John, when she takes our crumpets away from us, that she gets it from him. I could never take away anybody’s crumpets, merely because they were indigestible, least of all my own parents’. She has acquired a distinct affection for us, by some means best known to herself; but I should have no objection to that if she would not rearrange my bonnet-strings. That is a fond liberty to which I take exception; but it is one thing to take exception and another to express it.
Our daughter is with us, permanently with us. She declares that she intends to be the prop of our declining years; she makes the statement often, and always as if it were humorous. Nevertheless I sometimes notice a spirit of inquiry, a note of investigation in her encounters with the opposite sex that suggests an expectation not yet extinct that another and perhaps a more appreciative Dacres Tottenham may flash across her field of vision—alas, how improbable! Myself I can not imagine why she should wish it; I have grown in my old age into a perfect horror of cultivated young men; but if such a person should by a miracle at any time appear, I think it is extremely improbable that I will interfere on his behalf.
2. An Impossible Ideal.
Chapter 2.I.
To understand how we prized him, Dora Harris and I, it is necessary to know Simla. I suppose people think of that place, if they ever do think of it, as an agreeable retreat in the wilds of the Himalayas where deodars and scandals grow, and where the Viceroy if he likes may take off his decorations and go about in flannels. I know how useless it would be to try to give a more faithful impression, and I will hold back from the attempt as far as I can. Besides, my little story is itself an explanation of Simla. Ingersoll Armour might have appeared almost anywhere else without making social history. He came and bloomed among us in the wilderness, and such and such things happened. It sounds too rude a generalization to say that Simla is a wilderness; I hasten to add that it is a waste as highly cultivated as you like, producing many things more admirable than Ingersoll Armour. Still he bloomed there conspicuously alone. Perhaps there would have been nothing to tell if we had not tried to gather him. That was wrong; Nature in Simla expects you to be content with cocked hats.
There are artists almost everywhere and people who paint even in the Himalayas, though Miss Harris and I in our superior way went yearly to the Simla Fine Arts Exhibition chiefly to amuse ourselves by scoffing. It was easy to say clever things about the poor little exhibits; and one was grateful to the show on this account, for nothing is more depressing east of Suez than the absence of provocation to say clever things. There one afternoon in May as we marched about enjoying ourselves, we came upon Ingersoll Armour, not in the flesh, but in half a dozen studies hanging in the least conspicuous corner and quite the worst light in the room.
‘Eh, what?’ said I, and Dora exclaimed: