Sir William moved on, and Dora was free to send me an expressive glance. ‘Isn’t that just LIKE this place?’ she demanded. ‘Let me see, the Viceroy’s medal, the Society’s silver medal, five prizes from Members of Council. Highly Commended’s as thick as blackberries, and these perfectly fresh, original, admirable things completely ignored. What an absurd, impossible corner of the earth it is!’
‘You look very cross, you two,’ said Mrs. Sinclair, trailing past. ‘Come and see the crazy china exhibit, all made of little bits, you know. They say the photograph frames are simply lovely.’
Mrs. Sinclair’s invitation was not sincere. Miss Harris was able to answer it with a laugh and a wave. We remained beside the serious fact of exhibits 97-103.
‘Who are the judges this year?’ I asked, not that I did not know precisely who they were likely to be. There is a custom in these matters, and I had been part of Simla for eleven years.
Dora took the catalogue from my hand and turned its pages over.
‘Mr. Cathcart, of course; the Private Secretary to the Viceroy would be on the Committee almost ex officio, wouldn’t he? Impossible to conceive a Private Secretary to the Viceroy whose opinion would not be valuable upon any head. The member for Public Works—I suppose he can build bridges, or could once, therefore he can draw, or could once; besides, look at his precedence and his pay! General Haycock—isn’t he head of the Ordnance Department? I can’t think of any other reason for putting him on. Oh yes—he’s a K.C.B., and he is inventing a way of taking coloured photographs. Mr. Tilley, the old gentleman that teaches elementary drawing to the little girls in the diocesan school, that’s all right. And Mr. Jay, of course, because Mr. Jay’s water-colours are the mainstay of the exhibition, and he must be given a chance of expressing his opinion of them.’ She handed me back the catalogue. ‘I have never been really angry with them before,’ she said.
‘Are you really angry now?’ I asked.
‘Furious,’ Dora replied, and indeed her face expressed indignation. Its lines were quite tense, and a spark shone oddly in the middle of the eyes. One could not credit her with beauty, but as her lady friends were fond of saying, there was something ‘more’ in her face. I saw a good deal more at this moment, and it gave me pleasure, as all her feelings did when they came out like that. I hasten to add that she was not unpleasing; her features had a symmetry and a mobility, and her eyes could take any transient charm they chose to endow themselves with; though there were moments when she compared very badly with the other young ladies of Simla with their high spirits and their pretty complexions, very badly indeed. Those were occasions when the gay monotony of the place pressed, I imagine, a little heavily upon her, and the dullness she felt translated itself in her expression. But she was by no means unpleasing.
‘I must go and see Lady Pilkey’s picture,’ I said.
‘What is the use?’ said Dora. ‘It’s a landscape in oils—a view of the Himalayas, near Narkanda. There are the snows in the background, very thin and visionary through a gap in the trees, and two hills, one hill on each side. Dark green trees, pine-trees, with a dead one in the left foreground covered with a brilliant red creeper. Right foreground occupied by a mountain path and a solitary native figure with its back turned. Society’s silver medal.’