‘No matter for that. He will not be black. When I photograph that Nawab—any nawab—I do not him black make. But ziss ass of Armour—ach!’
It was a fascinating subject, and I could have pursued it all along the line of poor Armour’s rejected canvases, but the need to get away from Kauffer with his equal claim upon my sympathy was too great. To have cracked my solemn mask by a single smile would have been to break down irrepressibly, and never since I set foot in India had I felt a parallel desire to laugh and to weep. There was a pang in it which I recognize as impossible to convey, arising from the point of contact, almost unimaginable yet so clear before me, of the uncompromising ideals of the atelier and the naive demands of the Oriental, with an unhappy photographer caught between and wriggling. The situation was really monstrous, the fatuous rejection of all that fine scheming and exquisite manipulation, and it did not grow less so as Mr. Kauffer continued to unfold it. Armour had not, apparently, proceeded to the scene of his labours without instructions. In the pig-sticking delineation he had been specially told that the Maharajah and the pig were to be in the middle, with the rest nowhere and nothing between. Other injunctions were as clear, and as clearly disregarded. Armour, like the Maharajahs, had simply ‘REfuse’ to abandon his premeditated conceptions of how the thing should be done. And here was the result, for the laughter of the gods and anybody else that might see. I asked Kauffer unguardedly if no sort of pressure could be brought to bear upon these chaps to make them pay up. His face beaming with hope and intelligence, he suggested that I should approach the Foreign Office in his behalf; but this I could not quite see my way to. The coercion of native rulers, I explained, was a difficult and a dangerous art, and to insist, for example, that one of them should recognize his own complexion might be to run up a disproportionate little bill of our own. I did, however, compound something with Kauffer; I hope it wasn’t a felony. ‘Look here,’ I said to Kauffer, ‘this isn’t official, you know, in any way, but how would it do to write that scamp Kandore a formal letter regretting that the portrait does not suit him, and asking his permission to dispose of it to me? Of course it is yours to do as you like with already, but that is no reason why you shouldn’t ask. I should like it, but the Porcha tiger beat will do as well.’
Kauffer nearly fell upon my neck.
‘That Kandore will buy it to put in one bonfire first,’ he assured me, and I sincerely hoped for his sake that it would be the case.
‘Of course it’s understood,’ I bethought me to say, ‘that I get it, if I do get it, at Mr. Armour’s price. I’m not a Maharajah, you know, and it isn’t a portrait of me.’
‘Of course!’ said Kauffer, ‘but I sink I sell you that Porcha; it is ze best of ze two.’
Chapter 2.VI.
I ventured for a few days to keep the light which chance had shed for me upon Armour’s affairs to myself. The whole thing considered in connection with his rare and delicate talent, seemed too derogatory and disastrous to impart without the sense of doing him some kind of injury in the mere statement. But there came a point when I could no longer listen to Dora Harris’s theories to account for him, wild idealizations as most of them were of any man’s circumstances and intentions. ‘Why don’t you ask him point-blank?’ I said, and she replied, frowning slightly, ‘Oh, I couldn’t do that. It would destroy something—I don’t know what, but something valuable—between us.’ This struck me as an exaggeration, considering how far, by that time, they must have progressed towards intimacy, and my mouth was opened. She heard me without the exclamations I expected, her head bent over the pencil she was sharpening, and her silence continued after I had finished. The touch of comedy I gave the whole thing—surely I was justified in that!—fell flat, and I extracted from her muteness a sense of rebuke; one would think I had been taking advantage of the poor devil.
At last, having broken the lead of her pencil three times, she turned a calm, considering eye upon me.