“The children,” she said, vaguely, and then flushing like a rosy girl she plunged into stories of the children’s good behaviour. She turned and walked homeward with me. Was it that fleeting brightness in the sky that made her seem so young and bright and strangely changed?
May 15th.
School closed to-day. Commencement was quite a triumph. Monday morning I went to work in the schoolroom, examinations and commencement exercises on hand. Suddenly the play I had seen with Miss Jackson and thought so bad came into my mind. The more I thought of it the better it seemed. I decided on tableaux, my ideas got from that play. There were just fourteen days in which to work it out, but the children hailed it with joy. It was something new; it was something different. Ellinor’s help was invaluable. Marsville was delighted with it. Ellinor is changed. If there was anybody here to love I’d think she was in love. She was running to angles, and now she’s got some pretty curves, the gray hairs are quite hidden by the new way she is doing her lovely, heavy, red-brown hair, and her soft brown eyes—they are looking out on the spring world with a new, wistful expression in them. She smiles so easily and she hums snatches of tender old songs.
May 22d.
Midnight.
This afternoon there was an unfamiliar knock at the door and I ran down without waiting for mammy. It was Mr. Elliott. He looked so foreign to the old place, so New Yorkish standing there, that quite without warning, in the way I do things, while my lips were speaking a welcome and he was following me into the sitting-room, something within me was singing: “How could I know I should love thee afar, when I did not love thee anear?” But that something within me was not singing about Mr. Elliott, although I saw the glad light in his eyes. My own eyes saw the sun-shot green May-mist of the trees in Madison Square, the clock’s big face above the treetops, against the sky’s soft blue the radiant, triumphant Diana. My ears heard the roll of wheels on the Avenue, the clang of cars on Broadway; my veins felt the beat of the city’s hurrying, feverish life.
Out under the pines where mammy brought tea and helped me, with the dignity of a departed day, I still felt alien to it all. Mr. Elliott praised the beaten biscuit, and she told him as a mark of special favour the story of receiving my great aunt’s teeth when she was dying. I could not seem to belong to the scene—the big waving pine plumes against the spring sky, the ancient house drowsing in peace, the soft sweep of the hills, the [mountains] against the sky like a string of sapphires. But when Mr. Elliott said good-bye, when he caught my hands and poured out a flood of eager words, “Would I? Could I?” I came back to reality.
Did it mean that, this feel of the city? Could I go back and live there with Mr. Elliott—dear, charming, nice Mr. Elliott. For one swift instant I was swept by his belief in what we together might make of life, and it seemed so infinitely more than I could make of life alone. For one swift instant that old terror—the inevitableness of human change—pierced me like a sword. Always I have felt a contemptuous sort of pity for Jane Joyner, who lives near, toothless and untidy and incapable as she is, with the house running over with dirty children. Was Jane to be pitied? Jane whose youth and beauty were not dead but had passed into another form of life—lived in her children. Was she out of harmony with life’s great laws? Big and fierce my heart cried out, “No!” It was I who was outside of life, not Jane. Her man’s arm went round her shoulders [nights] when she stood over the kitchen stove. Her baby lifted its dirty, loving, laughing little face to hers as it clutched her knees. Taking my lonely after-supper walk I had seen them through the open kitchen door. What had I? A dream that was bodiless, life emptied of the big, vital things. And if I sent Mr. Elliott away as I sent the others, the boy lovers who came over the mountains to tell me what he is telling me now? What have I left that is more than I refuse? In the bare, honest moment I faced it. Bleak and stark in its honesty, the truth faced me. After work hours when I walk in the twilight and look in Jane Joyner’s kitchen the thing that comes close to my heart is a dream without a body—nothing more.
“I thought I was happy until you came along,” Mr. Elliott was saying. “Then I found out how lonely my gayety was.”
He is strong and fine, capable of making a woman happy, and I hold the future of our two lives in my hands. And then he was drawing me to him. Almost, his lips touched mine. The quick revolt, the wave of physical nausea—it was as though an icy, sinister wind had swooped down on my blooming flowers and shrivelled them.
With a desolate little smile I drew back from him, an alien standing outside of all that might have been mine. I bade him good-bye, and to-night, when I walked by Jane’s kitchen, open to the soft night, I turned my eyes away, afraid to look in on the sweet little home scene. In all my life I have never felt so alone.