"It would have been ridiculous had the art of making watches stopped there," McPhearson acquiesced. "But fortunately, if the public was content with such pretty, silly toy affairs, the horologers were not. Patiently they continued the struggle to make timepieces better; and to prove that all this nonsense about pretty watches was not without value, I will tell you that it was while making a white enamel base on which to paint a miniature that some clever person bethought him how nice a watch face of white enamel would be with black figures printed upon it."

"It is never all loss without some gain, is it?" smiled Christopher. "And clocks?"

"Clocks, too, were sharing the general improvement," answered McPhearson. "The old system of the balance with its accompanying weights and chains had passed, and the pendulum, now becoming less of a puzzle, was coming into vogue. Makers had, however, been convinced by this time that pendulums did not look well hanging down across the faces of clocks, and so they now put them at the back, their swingings being frequently concealed by projecting dials. So you see, the world was moving on."

As he concluded this speech, McPhearson took off his working glasses, substituted for them another pair, and began packing up his tools.

"There!" exclaimed he to Ebenezer, "I think you will find Seventeen will do better after this. Don't blame the poor thing. It wasn't her fault."

"I'm glad to hear you say so, sir," returned the butler with a broad smile. "I always did like that clock."

"The others, you say, are all right."

"Mostly, sir. Number Fifteen lagged a little and kept the master botherin' for a while, but she's catchin' up now. I wouldn't dare have you touch her 'cause she's runnin' too close to be disturbed."

"Then I'll go along. Give my respects to Mr. Hawley, Ebenezer."

"I will, sir," and the butler let his visitors out.