THE ROMANCE OF BOOKMAKING

"Ever since last night, Dad," remarked Paul, the next evening at dinner, "I have been wondering how the old printers got rid of the Latin text, lettering, or whatever you call it, and got down to printing in English like ours."

"You're starting on a long story," replied Mr. Cameron, glancing up from his plate. "The development of our modern type requires a volume in itself. Many scholars and many craftsmen contributed to that glorious result. It did not come all in a minute. Gutenburg's uneven Latin lettering was a far cry from our uniform, clear, well-designed variety of print. In the first place, as I told you before, good ink and good paper were necessary to beautiful text, and these Gutenburg did not have. Gradually, however, as a result of repeated experiments, paper and ink that were of practical value were manufactured. China had long been successful in printing because of the fine texture of her paper. Italy, the home of the arts, caught up Gutenburg's invention and brought not only lettering but paper-making to a marvelous degree of perfection."

"Italy and China always seem to be doing things," laughed Paul.

"Both nations were inventive and original," answered Mr. Cameron. "The difference between them was that while China locked all her discoveries up within her own walled cities, Italy shared her knowledge with the rest of the world and made it and herself immortal."

"The Italians were a great people, weren't they?"

"They were true lovers of all that was best and most beautiful," answered his father gravely. "Even their aristocracy felt it no disgrace to toil to perfect a fine art. To make that which was excellent more excellent still was the aim of rich and poor. Nobles, artisans, barefooted friars worked together towards that common goal. It was an Italian prince, Nicholas V, a man who afterward became Pope, who founded the Vatican Library and collected five thousand books, at a time, you must remember, when a book was a rare and almost priceless treasure. To him we owe the preservation of many a valuable old manuscript that might otherwise have been destroyed. Five thousand volumes was in those days a vast number to get together."

"Our public libraries would not think so now," smiled Paul.

"No, because at present books are so easily within reach that we scarcely appreciate them. We certainly read only a very small proportion of them."

"I know I don't read many," said Paul soberly.