SARAH BERNHARDT
IN HER COFFIN
I made the sittings last as long as possible, for I felt that this delicate mind was imbuing me with her science of seeing into the beyond, and often in the serious steps of my life I have said to myself, “What would Emmy have done? What would she have thought?”
I was somewhat surprised one day by the visit of Adolphe de Rothschild, who came to give me an order for his bust. I commenced the work immediately. But I had not properly considered this admirable man—he had nothing of the æsthetic, but the contrary. I tried nevertheless, and I brought all my will to bear in order to succeed in this first order, of which I was so proud. Twice I dashed the bust which I had commenced on the ground, and after a third attempt I definitely gave up, stammering idiotic excuses which apparently did not convince my model, for he never returned to me. When we met in our morning rides he saluted me with a cold and rather severe bow.
After this defeat I undertook the bust of a beautiful child, Miss Multon, a delightful little American, whom later on I came across in Denmark, married and the mother of a family, but still as pretty as ever.
My next bust was that of Mlle. Hocquigny, that admirable person who was keeper of the linen in the commissariat during the war, and who had so powerfully helped me and my wounded at that time.
Then I undertook the bust of my young sister Régina, who had, alas! a weak chest. A more perfect face was never made by the hand of God! Two leonine eyes shaded by long, long brown lashes, a slender nose with delicate nostrils, a tiny mouth, a wilful chin, and a pearly skin crowned by meshes of sunrays, for I have never seen hair so blonde and so pale, so bright and so silky. But this admirable face was without charm; the expression was hard and the mouth without a smile. I tried my best to reproduce this beautiful face in marble, but it needed a great artist and I was only a humble amateur.
When I exhibited the bust of my little sister, it was five months after her death, which occurred after a six months’ illness, full of false hopes. I had taken her to my home, No. 4 Rue de Rome, to the little entresol which I had inhabited since the terrible fire which had destroyed my furniture, my books, my pictures, and all my scant possessions. This flat in the Rue de Rome was very small. My bedroom was quite tiny. The big bamboo bed took up all the room. In front of the window was my coffin, where I frequently installed myself to study my parts. Therefore, when I took my sister to my home I found it quite natural to sleep every night in this little bed of white satin which was to be my last couch, and to put my sister in the big bamboo bed, under the lace hangings.
She herself found it quite natural also, for I would not leave her at night, and it was impossible to put another bed in the little room. Besides, she was accustomed to my coffin.
One day my manicurist came into the room to do my hands, and my sister asked her to enter quietly, because I was still asleep. The woman turned her head, believing that I was asleep in the arm-chair, but seeing me in my coffin she rushed away shrieking wildly. From that moment all Paris knew that I slept in my coffin, and gossip with its thistle-down wings took flight in all directions.