It was during this period that the law-suit which the Comédie Française brought against me was decided.

Maître Barboux did not consult me about anything, and my success in London, which was achieved without the help of the Comédie, irritated the committee, the Press, and the public.

Maître Allou in his pleadings pretended that the London public had tired of me very quickly, and did not care to come to the performances of the Comédie in which I appeared.

The following list gives the best possible denial to the assertions of Maître Allou:

PERFORMANCES GIVEN BY THE COMÉDIE FRANÇAISE AT THE GAIETY THEATRE
(The * indicates the pieces in which I appeared.)
1879.Plays.Receipts in Francs.
June2.Le Misanthrope (Prologue); Phèdre (Acte II.); Les Précieuses Ridicules*13,080
3.L’Etrangère*12,565
4.Le Fils naturel9,300
5.Les Caprices de Marianne; La Joie fait Peur10,100
6.Le Menteur; Le Médecin malgré lui9,530
7.Le Marquis de Villemer9,960
7.Tartufe (matinée); La Joie fait Peur8,700
9.Hernani*13,600
10.Le Demi-monde11,525
11.Mlle. de Belle-Isle; Il faut qu’une porte soit ouverte ou fermée10,420
12.Le Post-Scriptum; Le Gendre de M. Poirier10,445
13.Phèdre*13,920
14.Le Luthier de Crémône; Le Sphinx*13,350
14.Le Misanthrope (matinée); Les Plaideurs8,800
16.L’Ami Fritz9,375
17.Zaïre; Les Précieuses Ridicules*13,075
18.Le Jeu de l’amour et du hasard; Il ne faut jurer de rien11,550
18.Le Demi-monde12,160
20.Les Fourchambault11,200
21.Hernani*13,375
21.Tartufe (matinée); Il faut qu’une porte soit ouverte ou fermée2,115
23.Gringoire; On ne badine pas avec l’amour11,080
24.Chez l’avocat; Mlle. de la Seiglière9,660
25.L’Etrangère (matinée)*11,710
25.Le Barbier de Seville9,180
26.Andromaque; Les Plaideurs*13,350
27.L’Avare; L’Etincelle11,775
28.Le Sphinx; Le Dépit amoureux*12,860
28.Hernani (matinée)*13,730
30.Ruy Blas*13,660
July1.Mercadet; L’Eté de la St. Martin9,850
2.Ruy Blas*13,160
3.Le Mariage de Victorine; Les Fourberies de Scapin10,165
4.Les Femmes savantes; L’Etincelle11,960
5.Les Fourchambault10,700
5.Phèdre (matinée); La Joie fait Peur*14,265
7.Le Marquis de Villemer10,565
8.L’Ami Fritz11,005
9.Hernani*14,275
10.Le Sphinx*13,775
11.Philiberte; L’Etourdi11,500
12.Ruy Blas*12,660
12.Gringoire (matinée); Hernani (Acte V.);La Bénédiction; Davenant; L’Etincelle*13,725
Total receipts     492,150 francs

The average of the receipts was about 11,715 francs. These figures show that, out of the forty-three performances given by the Comédie Française, the eighteen performances in which I took part gave an average of 13,350 francs each, while the twenty-five other performances gave an average of 10,000 francs.


While I was in London I learned that I had lost my law-suit. “The Court—with its ‘Inasmuch as,’ ‘Nevertheless,’ &c.—declares hereby that Mlle. Sarah Bernhardt loses all the rights, privileges, and advantages, resulting to her profit from the engagement which she contracted with the company by authentic decree of March 24, 1875, and condemns her to pay to the plaintiff in his lawful quality the sum of one hundred thousand francs damages.”

I gave my last performance in London the very day that the papers published this unjust verdict. I was applauded, and the public overwhelmed me with flowers.

I had taken with me Madame Devoyod, Mary Jullien, Kalb, my sister Jeanne, Pierre Berton, Train, Talbot, Dieudonnée—all artistes of great repute.