This is what the Figaro of August 16, 1880, said:
“Sarah Bernhardt has played Adrienne Lecouvreur with a tremendous success before a magnificent audience. The royal family, the King and the Queen of the Hellenes, as well as the Princess of Wales, were present at the performance. The Queens threw their bouquets to the French artiste, amidst applause. It was an unprecedented triumph. The public was delirious. To-morrow Froufrou will be played.”
The performance of Froufrou was equally successful. But as I was only playing every other day, I wanted to visit Elsinore. The King placed the royal steamer at my disposal for this little journey.
I had invited all my company.
M. de Fallesen, the First Chamberlain, and manager of the Theatre Royal, had ordered a magnificent lunch for us, and accompanied by the principal notabilities of Denmark, we visited Hamlet’s tomb, the spring of Ophelia, and the castle of Marienlyst. Then we went over the castle of Kronborg. I regretted my visit to Elsinore. The reality did not come up to the expectation. The so-called tomb of Hamlet is represented by a small column, ugly and mournful-looking; there is little verdure, and the desolate sadness of deceit without beauty. They gave me a little water from the spring of Ophelia to drink, and the Baron de Fallesen broke the glass, without allowing any one else to drink from the spring.
I returned from this very ordinary journey feeling rather sad. Leaning against the side of the vessel, I watched the water gliding past, when I noticed a few rose petals on the surface. Carried by an invisible current, they were borne against the sides of the boat; then the petals increased to thousands, and in the mysterious sunset rose the melodious chant of the sons of the North. I looked up. In front of us, rocked on the water by the evening breeze, was a pretty boat with outspread sails; a score of young men, throwing handfuls of roses into the waters, which were carried to us by the little wavelets, were singing the marvellous legends of past centuries. And all that was for me: all those roses, all that love, all that musical poetry. And that setting sun was also for me. And in this fleeting moment, which brought all the beauty of life near to me, I felt myself very near to God.
The following day, at the close of the performance, the King sent for me to come into the royal box, and he decorated me with a very pretty Order of Merit adorned with diamonds. He kept me some time in his box, asking me about different things. I was presented to the Queen, and I noticed immediately that she was somewhat deaf. I was rather embarrassed, but the Queen of Greece came to my rescue. She was beautiful, but much less so than her lovely sister the Princess of Wales. Oh, that adorable and seductive face—with the eyes of a child of the North, and classic features of virginal purity, a long, supple neck that seemed made for queenly bows, a sweet and almost timid smile. The indefinable charm of this Princess made her so radiant that I saw nothing but her, and I went from the box leaving behind me, I fear, but a poor opinion of my intelligence with the royal couples of Denmark and Greece.
The evening before my departure I was invited to a grand supper. Fallesen made a speech, and thanked us in a very charming manner for the “French week” which we had given in Denmark.
Robert Walt made a very cordial speech on behalf of the press, very short but very sympathetic. Our Ambassador in a few courteous words thanked Robert Walt, and then, to the general surprise, Baron Magnus, the Prussian Minister, rose, and in a loud voice, turning to me, he said, “I drink to France, which gives us such great artistes! To France, la belle France, whom we all love so much!”
Hardly ten years had passed since the terrible war. French men and women were still suffering; their wounds were not healed.