Sardou raised his head and looked at her.

"If you think, M. Sardou, that I can play the character, I shall be only too happy to try; the chance you give me seems to come from destiny. I must endeavour as soon as possible to appease my dear father for his regret for having given me my own way."

François would have spoken, but she prevented him, drawing closer to him. "Oh, dear papa, in spite of yourself, I see this depression comes back to you. I want to succeed, and so drive away your heavy thoughts."

"Then," said Sardou quickly, to relieve them all of the emotion they were feeling, "it is quite agreed." Turning to Madame Darbois, who was trembling, "Do not be alarmed, dear Madame; we still have six or eight months before the plan will be ready for realization, which I feel sure will be satisfactory to all of us. I see that you are ready to go out; are you returning to the Conservatoire?"

"Yes," said Esperance, "I promised to give 'Junia's' cues to M.
Jean Perliez."

"The son of another learned man! The Conservatoire is favoured to-day," said Sardou. "I shall be pleased to escort you, Madame," he added, bowing politely to Madame Darbois, "and this child shall unfold to me on the way her ideas on the drama: they must be well worth hearing."

It was already late. The two gentlemen shook hands, anticipating that, henceforth, they would meet as friends.

When they had left him, François looked at the pastel, which he had not examined for a long time. The young girl smiled at him with that smile that had first charmed him. He saw himself asking M. de Gossec, a rich merchant, for the hand of his daughter Germaine. He brushed his hand across his forehead as if to remove the memory of the refusal he had received on that occasion: then he smiled at the new vision which rose before his imagination. He saw himself in the church of St. Germain des Pres, kneeling beside Germaine de Gossec, trembling with emotion and happiness. A cloud of sadness passed over his face: now he was following the hearse of his father-in-law, who had committed suicide, leaving behind him a load of debt. The philosopher's expression grew proud and fierce. The first thirteen years of his marriage had been devoted to paying off this debt: then came the death of the sister of M. de Gossec, leaving her niece eight hundred thousand francs, five hundred thousand of which had served to pay the debt. For the last four years the family had been living in this comfortable apartment on the Boulevard Raspail, very happy and without material worries: but how cruel those first thirteen years had been for this young woman! He gazed at the pastel for a long time, his eyes filling with tears. "Oh, my dear, dear wife!"

In the carriage on the way to the Conservatoire the conversation was very animated. The dramatic author was listening with great interest while the young girl explained her theories on art and life. "What a strange little being," he thought, and his penetrating glance tried in vain to discover what weakness was most likely to attack this little creature who seemed so perfect.

The carriage stopped at the Conservatoire. Jean Perliez was waiting at the foot of the stairs. At sight of them his face lighted up. "I was afraid that you had forgotten me in the joy of your success."