"No, father, it is nothing; I felt dizzy for a moment."
"All the same we must hurry Bertaud with his examination."
Back in her own room the young girl began to weep. "I shall never escape that man, never, never."
Her eyes invoked the Virgin of ivory. Her two arms extended, implored her, but it seemed to Esperance that they were opened also to whatever discouragement Destiny might have in store. She fell asleep in her chair, worn out by self-hypnosis on the holy image.
A horrible nightmare unfolded in her brain. She found herself on a great map of the world, with a voice calling to her, "Why are you frozen there, why don't you move? You are free as the air of this great globe." Then she began to walk, but at once she saw the earth open and long tentacles, like arms, emerge to clutch her. She recoiled quickly and started in another direction but the same phenomenon occurred again. After that she determined to climb on to a great plain that she saw ahead. She thought she was safe when all at once she saw arising on every side the frightful tentacles which crept along her hiding-place, viscous and black, nearer, near enough to touch her. An indescribable terror brought her to her feet with a cry for help! Mile. Frahender and Marguerite came running in. They found her pale and bathed in perspiration. Her lips were trembling, stammering. It was five minutes before she recovered herself. She described her dream, and the old Mademoiselle prescribed a little walk in the air. The child followed her chaperon with nervous docility.
It was the day after the next when Albert Styvens was to come to dinner. Esperance had thought of saying that she was ill, but her heart misgave her at the thought of the anxiety she would occasion her mother, and then … and then … the dinner would be postponed, and "This man will have what he will have, and I am the prey of his dream," she said with a sigh of resignation.
The dinner was arranged for seven-thirty. The young Count presented himself at seven-fifteen, having been preceded by two great bunches of flowers, for Madame Darbois and Esperance, who was at the piano when he came into the room. The Count entered with Madame Darbois, whom her husband had just presented to her, and they stopped silent to listen to Mendelssohn's beautiful nocturne, "Song of a Summer Night." When the last echoes of the last phrase had died away, discreet applause was wafted to her. She swung quickly on her stool and found herself before the young man who was bowing, and taking the hand she held out to him. She had not yet overcome that terror he inspired in her, and was surprised to find him so much at ease. After dinner they talked of music, and Esperance, praising a magnificent duet of Liszt, from the symphony of Orpheus, was overcome when the young man rose, took her hand and led her towards the piano.
"Come, let us try to play it together." He looked towards François Darbois and received his nod of acquiescence from the depths of the arm-chair where the professor sat clasping his long, fine hands.
The Count was intoxicated by the light perfume of Esperance's body there so near him that he seemed almost to touch her. His strong hands rose and fell beside her delicate fingers, making the young girl think of a great hawk fluttering over white pigeons, at the farm of Penhouet in Brittany, where for years she had spent her holidays. The fragment was executed brilliantly, for these two persons, united in their enthusiasm for art, although so different in personal reactions, gave the two auditors of this musical treat a magnificent interpretation of Liszt's genius. François Darbois and his wife, both distinguished in their appreciation of the beautiful, could not sufficiently thank the Count, dividing his praises with congratulations to their daughter.
"You surpassed yourself, my dear," said the philosopher, "but then I admit that you have never before had such a partner. It was really remarkable."