"No, not in the least."
"Spooney, then?"
"Not even 'spooney,' as you call it. I was very young at the time. Very young girls know nothing of love and marriage."
"Very young," he repeated thoughtfully. He was drawing figures with his pen on the blotting-paper before him. "But why did you marry him, then?"
"I can give you no reason—except that I was not happy at home."
"You all say that," slipped from him, with a gesture of impatience.
"I wish I had been more original," said Ideala.
She took up her book again, and he resumed his writing, and for some time there was silence. But Ideala's attention wandered. She began to examine the room, which was, as usual, in a state of disorder. One side of it was lined with cabinets of various sizes and periods. Labels indicated the contents of some of them. Only one picture hung on that side of the room—it was the portrait of a gentleman—but several others stood on the ground against the cabinets. The walls were painted some dark colour. A Japanese screen was drawn across the door, and beside it was a hard narrow settee covered with dark green velvet. Books were piled upon it, and heavily embroidered foreign stuffs, and near it a number of Japanese drawings stood on a stand. The mantelpiece was crowded with an odd mixture of china and other curios, all looking as if they had just been unpacked. Above it another picture was hung, a steel engraving. The writing-table by which they sat was nearly in the middle of the room. In the window was another table, covered also with a miscellaneous collection of curios; and on every other available article of furniture books were piled. The high backs of the chairs were elaborately carved, the seats being of the same green velvet as the settee. A high wire-guard surrounded the fire place, and this unusual precaution made one think, that the contents of the room must be precious. The occupant of this apartment might have been an artist, a man of letters, or a virtuoso—probably the latter; but whatever he was, it was evident that his study was a workshop, and not a showroom.
From the room Ideala looked to her companion. He was writing rapidly, and seemed absorbed in his subject. He was frowning slightly, his face was pale and set, and he looked older by ten years than when he had spoken last, and seemed cold and unimpassioned as a judge; but Ideala thought again that the face was a fine one.
Presently he became conscious of her earnest gaze. He did not look up, but every feature softened, and a warm glow spread from forehead to chin; it was as if a deep shadow had been lifted, and a younger, but less noble, man revealed.