"Oh yes, of course—exceptional women."
"And why mayn't I be an exceptional woman?" Beth asked, smiling.
"Coarse and masculine!" Dan exclaimed. "No, thank you. We don't want you to be one of that kind—do we, Galbraith?"
"There is not the slightest fear," Sir George answered dryly. "Besides, I don't think any class of women workers—not even the pit-brow women—are necessarily coarse and masculine. And I differ from you, too, with regard to that head," he added, fixing his keen, kindly eyes deliberately on Beth's cranium till she laughed to cover her embarrassment, and put up both hands to feel it. "I should say there was good promise both of sense and capacity in the size and balance of it—not to mention anything else."
"Well, you ought to know if anybody does," said Dan with a facetious sort of affectation of agreement, which left no doubt of his insincerity.
"I wish," Sir George continued, addressing Beth, "you would let me show some of your work to a lady, a friend of mine, whose opinion is well worth having."
"I would rather have yours," Beth jerked out.
"Oh, mine is no good," he rejoined. "But if you will let me read what you give me to show my lady, I should be greatly interested. We were talking about style in prose the other day, and I have ventured to bring you these books—some of our own stylists, and some modern Frenchmen. You read French, I know."
"There is nothing like the French," Dan chimed in. "We have no literature at all now. Look at their work compared to ours, how short, crisp, and incisive it is! How true to life! A Frenchman will give you more real life in a hundred pages than our men do in all their interminable volumes."
"More sexuality, you mean, I suppose," said Galbraith, "Personally I find them monotonous, and barren of happy phrases to enrich the mind, of noble sentiments to expand the heart, of great thoughts to help the soul; without balance, with little of the redeeming side of life, and less aspiration towards it. If France is to be judged by the tendency of its literature and art at present, one would suppose it to be dominated and doomed to destruction by a gang of lascivious authors and artists who are sapping the manhood of the country and degrading the womanhood by idealising self-indulgence and mean intrigue. The man or woman who lives low, or even thinks low, in that sense of the word, will tend always to descend still lower in times of trial. Moral probity is the backbone of our courage; without it we have nothing to support us when a call is made upon our strength." [1]