"If by that you mean some of her personal experiences, I should think you are wrong," said Ideala. "Genius experiences too acutely to make use of its own past in that way; it would suffer too much in the reproduction. And besides, it can make better use and more telling of what it intuitively knows than of what it has actually seen."
"I do not think you believe that Beth will succeed," said Angelica.
"On the contrary," Ideala rejoined, "I expect her success will be unique; only I don't know if it will be a literary success. Genius is versatile. But we shall see."
Having finished her book, Beth collected her friends and read it aloud to them. "I don't know what to think of it," she said. "Advise me. Is it worth publishing, or had I better put it aside and try again?"
"Publish it, by all means," was the unanimous verdict; and Mr. Kilroy took the manuscript himself to a publisher of his acquaintance, who read it and accepted it.
"Oh," Beth exclaimed, when she heard the reader's report, "I do know now what is meant by all in good time! If I had been able to publish the first things I wrote, how I should have regretted it now! And I did think so much of myself at that time, too! You should have heard how I dogmatised to Sir George Galbraith; and he was so good and kind—he never snubbed me. But I believe I am out of the amateur stage now, and far advanced enough to begin all over again humbly and learn my profession. But I find my point of view unchanged. Manner has always been less to me than matter. When I think of all the preventable sin and misery there is in the world, I pray God give us books of good intention—never mind the style! Polished periods put neither heart nor hope in us; theirs is the polish of steel which we admire for the labour bestowed upon it, but by which we do not benefit. The inevitable ills of life strengthen and refine when they are heroically borne; it is the preventable ones that act on our evil passions, and fill us with rage and bitterness; and what we want from the written word that reaches all of us is help and advice, comfort and encouragement. If art interferes with that, then art had better go. It would not be missed by the wretched—the happy we need not consider. I am speaking of art for art's sake, of course."
"We need not trouble about that," said Ideala. "The works of art for art's sake, and style for style's sake, end on the shelf much respected, while their authors end in the asylum, the prison, and the premature grave. I had a lesson on that subject long ago, which enlarged my mind. I got among the people who talk of style incessantly, as if style were everything, till at last I verily believed it was. I began to lose all I had to express for worry of the way to express it! Then one day a wise old friend of mine took me into a public library; and we spent a long time among the books, looking especially at the ones that had been greatly read, and at the queer marks in them, the emphatic strokes of approval, the notes of admiration, the ohs! of enthusiasm, the ahs! of agreement. At the end of one volume some one had written: 'This book has done me good.' It was all very touching to me, very human, very instructive. I never quite realised before what books might be to people, how they might help them, comfort them, brighten the time for them, and fill them with brave and happy thoughts. But we came at last in our wanderings to one neat shelf of beautiful books, and I began to look at them. There were no marks in them, no signs of wear and tear. The shelf was evidently not popular, yet it contained the books that had been specially recommended to me as best worth reading by my stylist friends. 'There is style for you!' said my friend. 'Style lasts, you see. Style is engraved upon stone. All the other books about us wear out and perish, but here are your stylists still, as fresh as the day they were bought.' 'Because nobody reads them!' I exclaimed. 'Precisely,' he said. 'There is no comfort in life in them. They are the mere mechanics of literature, and nobody cares about them except the mechanicians.' After that I prayed for notable matter to indite, and tried only for the most appropriate words in which to express it; and then I arrived. If you have the matter, the manner will come, as handwriting comes to each of us; and it will be as good, too, as you are conscientious, and as beautiful as you are good."
CHAPTER XLVIII
Mr. Alfred Cayley Pounce called on Beth continually. He was announced one day when she was sitting at lunch with the Kilroys.