One warm morning when the apple-trees were out, Arthur Brock was sitting with Gresham Powell in the garden of the farm-house where they were lodging in the country, turning over a portfolio full of Powell's sketches, and Powell was looking at them over his shoulder, and discussing them with him. Arthur had just come upon a clever study of the head of a girl in a hat, and was looking hard at it.
"That's a study in starvation," Powell explained. "It's an interesting face, isn't it? She came into a hairdresser's one day when I was there, and sat down just in that attitude, and I sketched her on the spot. She was too far through at the moment to notice me. Look at her pretty hair particularly. You'll see why in the next sketch, which is the sequel."
Brock took up the next sketch hurriedly. It was the same girl in the same hat, but with her hair cut short.
"I asked the barber fellow about her when she'd gone," Gresham pursued. "He'd taken her into an inner room, and when she came out she was cropped like that. She told him she had come to her last shilling, and she had an invalid at home depending on her entirely, and she entreated him to give her all he could for her hair. I believe the chap did too," he seemed so moved by her suffering and gentleness. "What's the matter?"
Brock had risen abruptly with the sketches still in his hand. The colour had left his face, and he looked as pinched and ill as he had done during the early days of his convalescence.
"The matter!" he ejaculated. "I've just discovered what a blind fool I am, that's what's the matter; and I'll keep these two studies with your permission to remind me of the fact. Choose amongst mine any you like instead of them, old chap, but these you must let me have."
Without waiting for an answer, he took the sketches away with him into the house. When he returned a short time afterwards, he was dressed for a journey, and had a travelling bag in his hand.
"I'm going to town," he said, "to see the original of these sketches. I've run up an account with her I shall never be able to settle, but at all events I can acknowledge my debt, dolt that I am! I was that invalid. And I thought myself such a gentleman too! not counting my change and asking no questions, trusting her implicitly: that was my pose from the day you came and poisoned my mind. Before that I had neither trusted nor distrusted, but just taken things for granted as they came, beautifully. I was too self-satisfied even to suspect that she might be imposing her bounty upon me, starving herself that I might have all I required, and sending me off here finally with the last penny she had in the world. I told you I was wondering she did not answer my letters. I expect she hadn't the stamp. But you said it was out of sight out of mind, and she'd be trying it on with some one else in my absence. If I'd the strength, I'd thrash you, Gresham, for an evil-minded bounder."
"I'll carry your bag to the station, old chap," Gresham replied with contrition, "and take the thrashing at your earliest convenience."
Ethel Maud Mary was standing on the steps in the sunshine looking out when Arthur Brock arrived, just as she had stood to watch him depart, but in the interval a happy change had pleasantly transformed her. Her golden hair was brightly burnished again, her blue eyes sparkled, and her delicate skin had recovered its rose-leaf tinge. She wore a new frock, a new ring, a new watch and chain, and there was a new look in her face, one might say, as if the winter of care had passed out of her life with the snow and been forgotten in the spring sunshine of better prospects.