"I am surprised to hear that you did not expect me to enjoy the joke at my own expense—the trick you have played me."

Angelica changed countenance; it was exactly what she had expected.

"Don't speak bitterly to me," she exclaimed. "It is not natural for you to do so. Oh! I should know—I know only too well—all your good qualities. My heart has been wrung a hundred times—by the thought—of all—I have—lost—by my folly." She raised her hands with a despairing gesture. "Don't imagine that you suffer—alone—or more than I do. There is hope for you; there is none for me. But one thing has been a comfort. I knew you only cared for an ideal creature, not at all like me. I was not afraid you would break your heart for a phantom that had never existed. And for me as I am, I knew you could have no regard. I see"—she broke off—"I see all the contradictions that are involved in what I have said and am saying, and yet I mean it all. In separate sections of my consciousness each separate clause exists at this moment, however contradictory, and there is no reconciling them; but there they are. I can't understand it myself, and I don't want you to try. All I ask you is to believe me—to forgive me."

There was an interval of silence after this, and then the Tenor spoke again.

"It is nearly morning," he said. "I will see you safely home."

The Boy had been allowed to come and go as he liked, but with her it was different; and the altered position made itself again apparent in this new-found need for an escort. It was evident, too, from the way the Tenor had allowed the subject to drop, tacitly agreeing to the assertion: "For me as I am I knew you could have no regard," that he considered there was nothing more to be said; but Angelica retained her childish habit of talking everything out, and this did not satisfy her, it was such a lame conclusion.

She got up now, however, to accompany him. "My hair!" she exclaimed, recollecting. "What am I to do with my hair? I suppose my wig is lost." Then she burst out passionately: "Oh, why did you save my life!" and wrung her hands—"or why aren't you different now you know? Can't you say something to restore my self-respect? Won't you forgive me?"

The Tenor's face contracted as with a spasm of pain. He had much to forgive, and he may be pardoned if he showed no eagerness; but he spoke at last. "I do forgive you," he said. Then all at once his great tender heart swelled with pity. "Poor misguided girl!" he faltered with a broken voice; "may God in heaven forgive you, and help you, and keep you safe, and make you good and true and pure now and always."

She sank down at that, and clasped his feet and burst into a paroxysm of tears, which were as a fervent Amen to the Tenor's prayer.

"Come!" he said, raising her. "Come, before it is too late. You must do something with your hair."