"He is chained to the pillar by a band running across the breast, below the shoulders; his powers are just ebbing; the band sustains him; he almost hangs in it; one shoulder is forced up, and towards this the head inclines as it falls backwards. The hand of this arm is placed on his breast; the other is raised in a bent position behind the head, in such an attitude as in sleep we make a pillow of an arm, and it is fettered at the wrist. The knees, drawn closely together, have no more firmness; no muscle is stretched; all has returned to that repose which indicates death."
A year after the Sistine Chapel was finished, Pope Julius died, and was succeeded by Leo X., at whose side the artist had sat when a boy, in the palace of Lorenzo the Magnificent. He was a man of taste and culture, and desired to build a monument to himself in his native Florence. He therefore commissioned Michael Angelo to build a beautiful, sculptured façade for the Church of San Lorenzo, erected by Cosmo de' Medici from designs of Brunelleschi.
For nearly four years the sculptor remained among the mountains of Carrara, and the adjacent ones of Serravezza, taking out heavy blocks of marble, making roads over the steep rocks for their transportation, and studying architecture with great assiduity.
Meantime, Michael Angelo writes to his "Dearest father: Take care of your health, and see whether you are not still able to get your daily bread; and, with God's help, get through, poor but honest. I do not do otherwise; I live shabbily, and care not for outward honor; a thousand cares and works burden me; and thus I have now gone on for fifteen years without having a happy, quiet hour. And I have done all for the sake of supporting you, which you have never acknowledged or believed. God forgive us all! I am ready to go on working as long as I can, and as long as my powers hold out."
Later he hears that his father is ill, and writes anxiously to his brother, "Take care, also, that nothing is lacking in his nursing; for I have exerted myself for him alone, in order that to the last he might have a life free of care. Your wife, too, must take care of him, and attend to his necessities; and all of you, if necessary, must spare no expenses, even if it should cost us everything."
Finally the façade of San Lorenzo was abandoned by Leo X., who decided to erect a new chapel north of the church, for the reception of monuments to his brother and nephew, Giuliano and Lorenzo. The artist built the new sacristy, bringing thither three hundred cart-loads of marble from Carrara.
Leo died in 1521, and was succeeded by Adrian, who lived only a year, and then by Clement VII., the cousin of Leo X. He was a warm friend of Michael Angelo, and so desirous was he of keeping the artist in his service that he endeavored to have him take holy orders, but the offer was refused.
Like the other popes he wished to immortalize his name, and therefore gave the artist the building of the Laurentian library, adjoining San Lorenzo.
Meantime the relatives of Pope Julius were justly angry because his tomb was not completed, and threatened to imprison the sculptor for not fulfilling his contract. All art work was soon discontinued through the sacking of Rome by Charles V. of Germany, in 1527. Upon the inlaid marble floor of the Vatican the German soldiers lighted their fires, and with valuable documents made beds for their horses which stood in the Sistine Chapel. Rome had ninety thousand inhabitants under Leo X. A year after the conquest, she had scarcely a third of that number.