On May 8, 1876, Mr. Holloway purchased, and conveyed in trust to Mr. Henry Driver Holloway and Mr. George Martin Holloway, his brother-in-law, and Mr. David Chadwick, M.P., ninety-five acres on the southern slope of Egham Hill, Surrey, for his college for women. It is in the midst of most picturesque and beautiful scenery, rich in historical associations. Egham is five miles from Windsor, near the Thames, and on the borders of Runnymede, so called from the Saxon Runemede, or Council Meadow, where the barons, June 15, 1215, compelled King John to sign the Magna Charta. A building was erected to commemorate this important event, and the table on which the charter was signed is still preserved.
Near by is Windsor Great Park, with seven thousand fallow deer in its eighteen hundred acres, and its noted long walk, an avenue of elms three miles in length, extending from the gateway of George IV., the principal entrance to Windsor Castle, to Snow Hill, crowned by a statue of George III., by Westmacott. Not far away from Egham are lovely Virginia Water and Staines, from Stana, the Saxon for stone, where one sees the city boundary stone, on which is inscribed, "God preserve the city of London, A.D. 1280." This marks the limit of jurisdiction of the Lord Mayor of London over the Thames.
After Mr. Holloway had decided to build his college, he visited the chief cities of Europe with Mr. Martin Holloway to ascertain what was possible about the best institutions of learning, and the latter made a personal inspection of colleges in the United States. Mr. Holloway was seventy-six, and too old for a long journey to America.
Plans were prepared by Mr. W. H. Crossland of London, who spent much time in France studying the old French châteaux before he began his work on the college. The first brick was laid Sept. 12, 1879. Mr. Holloway wished this structure to be the best of its kind in England, if not in the world. The Annual Register says in regard to Mr. Holloway's two great gifts, "When their efficiency or adornment was concerned, his customary principle of economy failed to restrain him."
The college is a magnificent building in the style of the French Renaissance, reminding one of the Louvre in Paris, of red brick with Portland stone dressings, with much artistic sculpture.
"It covers," says a report prepared by the college authorities, "more ground than any other college in the world, and forms a double quadrangle, measuring 550 feet by 376 feet. The general design is that of two long, lofty blocks running parallel to each other, and connected in the middle and at either end by lower cross buildings.... The quadrangles each measure about 256 feet by 182 feet. Cloisters run from east to west on two sides of each quadrangle, with roofs whose upper sides are constructed as terraces, the capitals being arranged as triplets."
No pains or expense have been spared to finish and furnish this college with every comfort, even luxury. There are over 1,000 rooms, and accommodations for about 300 students. Each person has two rooms, one for sleeping and one for study; and there is a sitting-room for every six persons. The dining-hall is 100 feet long, 30 wide, and 30 high. The semi-circular ceiling is richly ornamented. The recreation-hall, which is in reality a picture-gallery, is 100 feet long, 30 wide, and 50 high, with beautiful ceiling and floor of polished marquetry. The pictures here were collected by Mr. Martin Holloway, and cost about £100,000, or half a million dollars. Sir Edwin Landseer's famous picture, "Man proposes, God disposes," was purchased for £6,000. It was painted in 1864 by Landseer, who received £2,500 for it. It represents an arctic incident suggested by the finding of the relics of Sir John Franklin.
Here are "The Princes in the Tower" and "Princess Elizabeth in Prison at St. James," by Sir John Millais; "The Babylonian Marriage Market" and "The Suppliants," by Edwin Long; "The Railway Station," by W. P. Frith; and other noted works. The gallery is open to the public every Thursday afternoon, and in the summer months on Saturdays also. There are several thousand visitors each year.
The college has twelve rooms with deadened walls for practising music, a gymnasium, six tennis-courts (three of asphalt and three of grass), a large swimming-bath, a lecture theatre, museum, a library with carved oak bookcases reaching nearly to the ceiling, and an immense kitchen which serves for a school for cookery. Electric lights and steam heat are used throughout the buildings, and there are open fireplaces for the students' rooms.
The chapel, 130 feet long by 30 feet wide, says the London Graphic for July 10, 1886, "is a singularly elaborate building in the Renaissance style.... In its decoration a strong tendency to the Italian school of the latter part of the sixteenth century is apparent. This is especially the case with the roof, which bears a kind of resemblance to that of the Sistine Chapel at Rome, though it cannot in any way be said to be a copy of that magnificent work.... The choir, or nave, is seated with oak benches arranged stall-ways, as is usual in the college chapels of Oxford and Cambridge.... The roof is formed of an elliptic barrel-vault, the lower portions of which are adorned with statues and candelabra in high relief, and the upper portion by painted enrichments. The former are a very remarkable series of works by the Italian sculpture Fucigna, who had learned his art in the studios of Tenerani and Rauch at Rome. These were his last works, and he did not live to complete them. The figures represent the prophets and other personages from the Old Testament on the left side, and apostles, evangelists, and saints from the New Testament on the right. The baldachino is constructed of walnut and oak, richly carved; and the organ front, at the opposite end of the chapel, is a beautiful example of wood-carving."