Famous Men of Science

by Sarah Knowles Bolton

At the request of the Common Council of Charleston, he now painted the portrait of James Monroe, then President of the United States, and a year later went again to South Carolina, leaving his wife and an infant daughter in Concord, with her parents. On his return, Dr. Morse having resigned his pastorate at Charlestown, and moved to New Haven, Ct., Finley also moved thither. Here he found delight in renewing his studies of galvanism and electricity under Professor Silliman.

Tiring of portraits, and longing for preëminence in art, he conceived the idea of a historical piece, the "House of Representatives," with eighty portraits of individual members. For this purpose he went to Washington, and began his work in earnest. He writes to his young wife: "I am up at daylight, have my breakfast and prayers over, and commence the labors of the day long before the workmen are called to work on the Capitol by the bell. This I continue unremittingly till one o'clock, when I dine in about fifteen minutes, and then pursue my labors until tea, which scarcely interrupts me, as I often have my cup of tea in one hand and pencil in the other. Between ten and eleven o'clock I retire to rest. This has been my course every day (Sundays, of course, excepted) since I have been here, making about fourteen hours study out of the twenty-four. This, you will say, is too hard, and that I shall injure my health. I can say that I never enjoyed better health, and my body, by the simple fare I live on, is disciplined to this course.... I have had a great deal of difficulty with the perspective of my picture. But I have conquered, and have accomplished my purpose. After having drawn in the greater part three times, I have as many times rubbed it all out again. I have been, several times, from daylight until eleven o'clock at night, solving a simple problem.

"How I do long to see that dear little girl of mine, and to hear her sweet prattle! Instruct her early, my dear wife, in the most important of all concerns; teach her that there is a great Father above, her obligations to him and to her Saviour. Kiss her often for papa, and tell her he will come back one of these days."

So absorbed did he become in this picture, that once he arose in the night, mistaking the light of the moon for the day, and went to his work, and another time attempted to enter the hall on Sunday, forgetting even the days of the week. When the work was finished and exhibited, everybody was too much interested in his own affairs to care about congressmen, and the picture failed to attract the public. It proved a loss pecuniarily, and was purchased by an Englishman and taken to England. Twenty-five years afterward, it was found in the third story of a store in New York, nailed against a board partition, and covered with dust. It had been sent over from London by a house which had advanced a sum of money upon it while in England. The picture afterward became the property of the artist Daniel Huntington.

Morse now went to Albany, hoping to obtain some patronage from public men. After long waiting, he writes to his wife: "I have not as yet received any application for a portrait. Many tell me I have come at the wrong time—the same tune that has been rung in my ears so long! I hope the right time will come by and by. The winter, it is said, is the proper season; but, as it is better in the South in that season, and it will be more profitable to be there, I shall give Albany a thorough trial and do my best. If I should not find enough to employ me here, I think I shall return to New York and settle there. This I had rather not do at present, but it may be the best that I can do. Roaming becomes more and more irksome. Imperious necessity alone drives me to this course. Don't think by this I am faint-hearted. I shall persevere in this course, painful as is the separation from my family, until Providence clearly points out my duty to return."

Morse now turned his attention to the invention of a machine for carving marble, from which he hoped for pecuniary success, but success did not result from it. He now went to New York to try his fortune. But things were no brighter.

He wrote to Lucretia: "My last two letters have held out to you some encouraging prospects of success here, but now they seem darkened again. I have had nothing to do this week thus far but to wait patiently. I have advertised in both of the city papers that I should remain one week to receive applications, but as yet it has produced no effect.... I sleep in my room on the floor, and put my bed out of sight during the day, as at Washington.... I have been active in calling on my friends and inviting them to my room; they have promised to come, but as yet few have called. As far as human foresight can perceive, my prospects seem gloomy indeed. The only gleam of hope—and I cannot underrate it—is from confidence in God. When I look upward, it calms my apprehensions for the future, and I seem to hear a voice saying: 'If I clothe the lilies of the field, shall I not also clothe you?' Here is my strong confidence, and I will wait patiently for the direction of Providence."

Again he writes to his wife: "My cash is almost gone, and I begin to feel some anxiety and perplexity to know what to do. I have advertised, and visited, and hinted, and pleaded, and even asked one man to sit, but all to no purpose.... My expenses, with the most rigid economy too, are necessarily great; my rent to-morrow will amount to thirty-three dollars, and I have nothing to pay it with. What can I do? I have been here five weeks, and there is not the smallest prospect now of any difference as to business."

He now attempted to obtain a situation in the legation about to be sent to Mexico. The place was promised, and Morse went to Washington, only to find that the expedition had been abandoned.

There was an occasional rift in the clouds, as when the corporation of the city of New York commissioned Morse to paint for them a portrait of General Lafayette, then in Washington, the price to be about one thousand dollars. As Sully, Peale, Inman, and other prominent artists were competitors in the application for this picture, to receive the commission was indeed an honor.