At nineteen, he entered Pembroke College, Oxford, where he acted as servant. He used to go daily to his friend Taylor, and get lectures second-hand, till his feet, showing through his worn-out shoes, were perceived by the students, and he ceased going. A rich young man secretly put a pair of new shoes at his door, which he indignantly threw out of the window. He was willing to work and earn, but would not receive charity. At the end of three years he became so poor that he was obliged to leave college, his father dying soon after.
After various experiences, he sought the position of usher at a school, but was refused because it was thought that the boys would make fun of his ugliness. He finally obtained such a place, was treated with great harshness, and left in a few months. Strange to say, the poor, lonely scholar, only twenty-six, now fell in love with a widow forty-eight years old. After obtaining his mother's consent, he married her, and the union proved a most happy one. With the little money his wife possessed, he started a school, and advertised for pupils; but only three came, and the school soon closed. In despair he determined to try London, and see if an author could there earn his bread. In that great city he lived for some time on nine cents a day. One publisher to whom he applied suggested to him that the wisest course would be to become a porter and carry trunks.
A poem written at this time, entitled "London," for which he received fifty dollars, one line of which was in capital letters,
"SLOW RISES WORTH BY POVERTY DEPRESSED,"
attracted attention; and Pope, who was then at the height of his fame, asked Dublin University to give to the able scholar the degree of M.A., that he might thus be able to take the principalship of a school, and earn three hundred dollars a year; but this was refused. Out of such struggles come heroic souls.
When he was forty, he published the "Vanity of Human Wishes," receiving seventy-five dollars, asserted by many to be the most impressive thing of its kind in the language. The lines,
"There mark what ills the scholar's life assail,
Toil, envy, want, the patron, and the jail,"
show his struggles. A drama soon after, played by the great actor, David Garrick, brought him nearly a thousand dollars; but the play itself was a failure. When asked by his friends how he felt about his ill success, he replied, "Like the monument," meaning that he continued firm and unmoved, like a column of granite. Fame was coming at last, after he had struggled in London for thirteen years—and what bitterness they had brought!
For two years he worked almost constantly on a paper called the "Rambler." When his wife said that, well as she had thought of him before, she had never considered him equal to this, he was more pleased than with any praise he ever received. She died three days after the last copy was published, and Johnson was utterly prostrated. He buried himself in hard work in his garret, a most inconvenient room; but he said, "In that room I never saw Mrs. Johnson." Her wedding-ring was placed in a little box, and tenderly kept till his death.
Three years afterward, his great work, his Dictionary, appeared, for which he received eight thousand dollars; but, as he had been obliged to employ six assistants for seven years, he was still poor, but now famous. The Universities of Oxford and Dublin, when he no longer needed their assistance, hastened to bestow their degrees upon him. Even George III. invited him to the royal palace,—a strange contrast to a few years before, when Samuel Johnson was under arrest for a debt of thirty dollars! When asked by Reynolds how he had obtained his accuracy and flow of language in conversation, he replied, "By trying to do my best on every occasion and in every company." About this time his aged mother died, and in the evenings of one week, to defray her funeral expenses, he wrote "Rasselas," and received five hundred dollars for it. He wrote in his last letter to her, "You have been the best mother, and I believe the best woman, in the world. I thank you for your indulgence to me, and beg forgiveness of all that I have done ill, and of all that I have omitted to do well." His last great work was "The Lives of the Poets."