THOMAS COLE.
Four of my favorite pictures from childhood have been Cole's "Voyage of Life." I have studied the tiny infant in the boat surrounded by roses, life's stream full of luxuriant vegetation; the happy, ambitious youth, looking eagerly forward to the Temple of Fame, steering the boat himself, with no need of aid from his guardian angel; then the worried and troubled man, his boat tossing and whirling among the broken trees and frightful storms that come to all; and lastly, perhaps most beautiful, the old man sailing peacefully into the ocean of eternity, the angel having returned to guide him, and the way to heaven being filled with celestial spirits. I have always hung these pictures near my writing-table, and their lesson has been a helpful and inspiring one.
No wonder that Thorwaldsen, the great sculptor, said when he looked upon them in Rome, "O great artist! what beauty of conception! what an admirable arrangement of parts! what an accurate study of nature! what truth of detail!" He told Cole that his work was entirely new and original, executed in a masterly manner, and he commended the harmony of color.
These pictures are hung in thousands of homes; but how few persons know the history of the artist! Born in England, Feb. 1, 1801, the only son in a family of eight children, and the youngest but one, we find him when a mere child, in some print-works, learning to engrave simple designs for calico. His father, a woolen manufacturer, had failed in business, and the family were thrown upon themselves for support. He was a kind and honest man, always hoping to succeed, but never succeeding; always trying new scenes to build up his fortune and never building it. Like other fathers, especially those who have been disappointed in life, he had hopes that his boy would accomplish more than himself.
He wished to apprentice him to an attorney or to an iron manufacturer, but Thomas saw no pleasure in Blackstone, or in handling ponderous iron. A boy of tender feelings, he found little companionship with his fellow-operatives, most of whom were rough; and he enjoyed most an old Scotchman who could repeat ballads, and tell of the beautiful hills and lakes of his native land. When he had leisure, he wandered with his sister Sarah into the surrounding country; and while she sang, he accompanied her with his flute.
With little opportunity for school, he was a great reader; and when through with designs for calico for the day, he buried himself in books, especially about foreign countries, and in imagination clambered over high mountains, and sailed upon broad rivers. He talked much to the family of the wonders of the New World; and when he was eighteen, they all sailed for America. The father rented a little house and shop in Philadelphia, and began to sell the small stock of dry-goods which he had brought with him, while Thomas found work with a person who supplied woodcuts for printers.
The father soon became dissatisfied with his prospects, and moved his family to Steubenville, Ohio, where he hoped to find a land flowing with milk and honey. Thomas remained behind, working on some illustrations for Bunyan's "Holy War," keeping up his spirits with his beloved flute; going to Steubenville the next year, walking almost the entire way from Philadelphia.
Here he worked in his father's small manufactory of paper-hangings; yet he had longings to do some great work in the world, as he wandered alone in the wild and charming scenery. He loved music, architecture, and pictures, but he hardly dared breathe his aspirations save in a few verses of poetry. How in that quiet home a boy should be born who had desires to win renown was a mystery. Nobody knows whence the perilous but blessed gift of ambition comes.
About this time a portrait-painter by the name of Stein came to the village. He took an interest in the poetic boy, and loaned him an English illustrated work on painting. Thomas had already acquired some skill in drawing. Now his heart was on fire as he read about Raphael, Claude Lorraine, and Titian, and he resolved to make painting his life-work. How little he knew of the obstacles before a poor artist!