His library is one of the most charming places in this country. The wood-work is carved ebony with gold, the bookshelves six feet high on every side, and the ceiling built in sunken panels, blue and gold. In the centre is a table made from ebony, brought from Africa by Paul du Chaillu. One looks with interest upon the handsome volumes of the standard authors, but other things are of deeper interest.

Here is an original sermon of Rev. Cotton Mather; the poems of Leigh Hunt, which he presented to Charles Dickens; the original manuscript of Nathaniel Hawthorne's "Consular Experiences"; the first edition of the "Scarlet Letter," with a note to Mr. Childs from the great novelist; Bryant's manuscript of the "First Book of the Iliad"; James Russell Lowell's "June Idyl," begun in 1850 and finished eighteen years afterward; the manuscript of James Fenimore Cooper's "Life of Captain Richard Somers"; and Edgar Allan Poe's "Murders in the Rue Morgue," seventeen pages of large paper written small and close.

Here is an autograph letter from Poe, in which he offers to his publishers thirty-three short stories, enough to fill two large volumes, "On the terms which you allowed me before; that is, you receive all profits and allow me twenty copies for distribution to friends." From this it seems that Poe had the usual struggles of literary people.

One of the most unique things of the library is the manuscript of "Our Mutual Friend," bound in fine brown morocco. The skeleton of the novel is written through several pages, showing how carefully Dickens thought out his plan and his characters; the paper is light blue, written over with dark blue ink, with many erasures and changes. Here are also fifty-six volumes of Dickens' works, with an autograph letter in each, from the author to Mr. Childs. Here is Lord Byron's desk on which he wrote "Don Juan." Now we look upon the smallest book ever printed, Dante's "Divina Commedia," bound in Turkey gilt, less than two and one-fourth inches long by one and one-half inches wide.

The collection of Mr. and Mrs. S. C. Hall, now the property of Mr. Childs, letters and manuscripts from Lamb, Hawthorne, Mary Somerville, Harriet Martineau, Coleridge, Wordsworth, Browning, and hundreds of others, is of almost priceless value. In 1879 Mrs. Hall gave the Bible of Tom Moore to Mr. Childs, "an honored and much loved citizen of the United States, as the best and most valuable offering she could make to him, as a grateful tribute of respect, regard, and esteem."

Another valuable book is made up of the portraits of the presidents, with an autograph letter from each. Dom Pedro of Brazil sent, in 1876, a work on his empire, with his picture and his autograph. George Peabody sat for a full-length portrait for Mr. Childs. The album of Mrs. Childs contains the autographs of a great number of the leading men and women of the world.

One could linger here for days, but we must see the lovely country-seat called "Wootton," some distance out from the city. The house is in Queen Anne style, surrounded by velvety lawns, a wealth of evergreen and exquisite plants, brought over from South America and Africa. The farm adjoining is a delight to see. Here is the dairy built of white flintstone, while the milkroom has stained glass windows, as though it were a chapel. The beautiful grounds are open every Thursday to visitors.

Here have been entertained the Duke and Duchess of Buckingham, the Duke of Sutherland, Lord Rosse, Lord Dufferin, Sir Stafford Northcote, Herbert Spencer, John Waller, M.P., of the "London Times," Dean Stanley, Thomas Hughes, Dickens, Grant, Evarts; indeed, the famous of two hemispheres.

With all this elegance, befitting royalty, Mr. Childs has been a constant and generous giver. For his own city he was one of the foremost to secure Fairmount Park, and helped originate the Zoölogical Gardens, the Pennsylvania Museum, and the School of Industrial Arts. He gave ten thousand dollars for a Centennial Exposition. He has been one of General Grant's most generous helpers; yet while doing for the great, he does not forget the unknown. He gives free excursions to poor children, a dinner annually to the newsboys, and aids hundreds who are in need of an education.

He has placed a stained glass window in Westminster Abbey, in commemoration of George Herbert and William Cowper; given largely to a memorial window for Thomas Moore at Bronham, England; for a stone to mark Leigh Hunt's resting-place in Kensal Green; and toward a monument for Poe.