“I have persuaded him to play with the quartette; it will be a splendid addition,” Mrs. Wright continued.

Billy rose and shook hands with him, boy fashion, for Billy was still a boy at heart in all he did, yet a very lovable boy. “That’s all to the good. Welcome to the jolly six—jolly seven it will be, now you have joined.”

“You must bring Mrs. Schmitz over to some of the rehearsals. I shall call on her very soon. Do you think she’d have time for me, Sydney?”

He was sure of it.

“And we shall drop the Mister and call you just plain Max, may we?” Billy questioned. “No one is allowed a handle to his name but her, my sister here. We have to permit that because she’s married.” Billy nudged his sister, mischief in his eyes.

Max bowed gravely. “I shall be honored by your kindness.”

Billy, a trifle awed by Max’s seriousness, could not know that the newcomer was feeling the weight of his responsibility; was wondering if they would accept him so cordially if they knew all.

The other boys came, Charles Harper called Redtop because of his “smiling” hair, a fine fellow, well grown and with eyes that looked straight at his listener; and “Sis” Jones, Cicero really, but “Sis” in his set since the day he had been caught embroidering a pattern on the sail of the “Miss Snow,” Hector Price’s sailboat. Young Jones was as old as any of them and as plucky; but he was slender, blond, not very tall, and gave the impression of effeminacy. Yet certain ones who knew said those small hands could grip like iron.

His voice was the sweet, haunting tenor, while Sydney was second tenor. Charles sang a deep, rich bass, and Billy second bass. All-round utility man Billy called himself, since his voice was adaptable, and if his sister was prevented it was Billy who accompanied on the piano. He was also librarian, sent out meeting notices, and otherwise, “bossed the job,” to use his own words.

The other member was Hugh Price, “Squab,” Billy’s short fat cousin. He had grown since the happy camping days at Lallula, but it seemed all laterally. His anxiety to gain height was well known, and the most acceptable compliment one could pay him was to say, “You’re taller.” He played the flute—played it well.