The club had grown from the original number of seven, to twelve, the new members having been chosen from among the brightest and most mischievous girls in school. This made Miss Ashton wonder at their uniformly quiet behavior, and increased the vigilance of her watch.
About three weeks after the visit of Cousin Abijah, it was announced that a series of tableaux would be given on Friday evening, illustrating a poem written by Miss Kate Underwood.
Kate’s poetical abilities were well known and greatly admired by the school, even the teachers gave her credit for a knack at humorous sketches rather unusual. She was to be, perhaps, a second John Saxe, possibly an Oliver Wendell Holmes, who could tell? The gift was worth cultivating, particularly as it did not interfere with Kate’s soberer and more disciplinary studies.
Miss Ashton did not think it necessary to see the poem. It was probably witty, if not wise, and wisdom need not intrude its grave face always into the freedom of the Friday nights; indeed, she rather winked 75 at the performance, as she and her associate principal were to be out of town on that night, and “high fun” in the hall served to keep the girls from any more serious mischief.
All the club were pledged to the most profound secrecy as to what the tableaux were to be; and, for a wonder, there were no revelations made, even to the “dear, intimate friend,” who was not a member, and who generally shared the most “profound secret,” no matter from what source it emanated.
After evening prayers, the hall was given to the club, and as every arrangement had been made previously for the decoration of the stage, the work was completed and the doors thrown open at an early hour.
The hall was soon filled, and the buzz of expectation began long before the curtain was raised; when it was, it showed an interior of a farm kitchen of the olden times. Clothes-bars had been skilfully placed so as to represent a low ceiling, and from them depended hams wrapped in brown paper coverings, sausages enclosed in cloth bags, herbs tied in bunches and labelled in large letters, “Sage, Camomile, Fennel, Dock, Caraway.”
There were ears of corn, sweet, Indian, pop, likewise labelled; tomatoes, strung in rows to dry, and strings also of newly sliced apple.
Under this motley ceiling the room showed plainly it was the living-room of the house. There was a large cooking-stove that shone so you might have 76 seen your face in it, a row of wash-tubs, leaning bottom side up against the wall, two wooden pails and three tin ones, standing on a shelf over the tubs, and these in close proximity to the only window in the room. Just before this window was a small table with a Bible, a well-worn one, on it, and a pair of steel-bowed spectacles. One yellow wooden chair, and what was called “a settle” near the stove, a large cooking-table, and one more chair, made the furniture of the room.
Before this table sat an old woman, dressed in a black petticoat, and a red, short gown that came a little below her waist. She wore a cap that fitted close to her head, made of some black cloth, innocent of bow or frill; from under it, locks of gray hung down about her face and neck. She had a swarthy skin, two small eyes, hidden by a large pair of glasses, a mouth that kept in motion in spite of the necessity of stillness which a tableau is supposed to demand, as if she were reading the letter she held in her hand aloud. The laugh and clapping which this scene called forth had hardly subsided when, from behind a hidden corner of the stage, a sweet, clear voice began to read the descriptive poem.