She soon forgets her affronted discomfiture in a little conversation with Henry Tilney, in the breakfast-parlour, before the others come down. She is praising Miss Tilney’s hyacinths, and adds, “I have just learnt to love a hyacinth.”
“And how might you learn? By accident, or argument?”
“Your sister taught me: I cannot tell how. Mrs. Allen used to take pains, year after year, to make me like them; but I never could, till I saw them, the other day, in Milsom Street. I am naturally indifferent about flowers.”[37]
Henry Tilney ends the conversation with the assertion, “At any rate, however, I am pleased that you have learnt to love a hyacinth. The mere habit of learning to love is the thing; and a teachableness of disposition in a young lady is a great blessing. Has my sister a pleasant mode of instruction?”
I need not quote further than that Catherine is delightfully embarrassed, and that she has the happiness of being still more discomposed by a hint from the General when he appears, which does sound as if the formidable great man were deigning to rally the young couple on a sympathetic habit of early rising.
But Catherine is not yet quite cured of her romantic fancies.[38] She has been forced to see that the Abbey, in spite of its indisputable pretensions to antiquity and grandeur, its fine situation, and the ostentatious display made by the present owner of his rank and fortune, in its gardens and hot-houses, is, according to her standard, a mere commonplace, handsome, country house. She has found out for herself that old chests and cabinets may be no better than humbugs; still, she must hanker after family secrets and terrible mysteries. She cannot like pompous, despotic General Tilney, before whom his daughter trembles, and his sons grow silent—let him be ever so grandly polite to herself—not even though he seems to imply his gracious approbation, before it is asked, of his son Henry’s suit, with the General’s earnest desire that Catherine may accede to that suit.
Perverse Catherine takes it into her head that the General interferes to prevent her from being shown over the Abbey, and that he avoids certain parts of the grounds. Her rampant, over-stimulated imagination leaps to the conclusion, on the customary grounds, that these suspicions peculiarities have to do with General Tilney’s late wife, of whom her husband never speaks, who has died rather suddenly, during her daughter’s absence from home.
Has Mrs. Tilney died a natural death? Catherine begins to question herself quakingly; or is she dead at all? Can her children have been imposed upon? May she not be secluded and imprisoned in some remote turret or dungeon, to serve an unknown purpose of her unworthy husband? In that case, Catherine must be destined to restore the unfortunate Mrs. Tilney to her children and the world.[39]
Catherine considers that she has a strong confirmation of her worst fears in what she is told of the General’s habits of sitting up late, and walking up and down his room at night.
Before taking it upon her to act the part of a private detective in any more original or offensive manner, Catherine sets out one evening to enter secretly the closed room which Eleanor has pointed out to her as that in which her mother died.