Once more as the Prince Consort gave her daughter away, her Majesty had a bright vision of her own happy marriage on that very spot; again she was comforted by her daughter's self-control, and she could realise that it was beautiful to see the couple kneeling there with hands joined, the bridesmaids "like a cloud of maidens hovering near her (the bride) as they knelt."

When the ring was placed on the Princess's finger cannon were fired, and a telegram was sent off to Berlin that the same compliment might be paid to the pair there. The close of the "Hallelujah Chorus" was sung at the end of the ceremony.

The usual congratulations followed. The bride flung herself into her mother's arms and was embraced by her again and again, then by her bridegroom and her father. Prince Frederick William kissed first the hand and then the cheek of his father and mother, saluted the Prince Consort and King Leopold foreign fashion, and was embraced by the Queen. Princess Frederick William would have kissed her father-in- law's hand, but was prevented by his kissing her cheek. The bride and bridegroom left the chapel hand-in-hand to the sound of Mendelssohn's "Wedding March." The register was signed in the Throne-room first by the young couple, then by their parents, and afterwards by all the princes and princesses—including the Maharajah Duleep Singh "resplendent in pearls."

The newly wedded pair drove to Buckingham Palace, to which the Queen and the Prince Consort followed, with the Prince and Princess of Prussia, through an immense multitude, amidst ringing cheers. The whole party showed themselves on the balcony before the window over the grand archway, where the Queen had appeared on so many memorable occasions. First her Majesty with her children came out, then the Queen led forward the bride, who stood hand-in-hand with her bridegroom; afterwards the rest of the circle joined them. It was a matter of lively satisfaction to her Majesty and the Prince Consort to witness the loyal, affectionate interest which the people took in their daughter, and the Queen and the Prince were ready to gratify the multitude by what is dear to every wedding crowd, "a sight of the bride and bridegroom."

The wedding cake was six feet high. The departure of the couple for Windsor, where they were to spend their honeymoon, was no more than a foreshadowing of that worse departure a week later. The Queen and the Princess of Prussia accompanied their children to the grand entrance; the Prince Consort escorted his daughter to her carriage. The bride wore a while épinglé dress and mantle trimmed with grebe, a white bonnet with orange blossoms, and a Brussel's lace veil.

At the family dinner after the excitement and fatigue of the day were over, the Queen felt "lost" without her eldest daughter. In the evening a messenger arrived from Windsor, bringing a letter from the bride telling how the Eton boys had dragged the carriage from the station to the castle, though she might not know that they, had flung up their hats in the air, many of them beyond recovery, the wearers returning bareheaded to their college. When the Queen and the Prince read this letter all London was illuminated, and its streets filled with huzzaing spectators. At the palace the evening closed quietly with a State concert of classic music.

The Princess Royal's honeymoon so far as a period of privacy was concerned, did not last longer than the Queen's. Two days after the marriage the Court followed the young couple to Windsor, where a chapter of the Order of the Garter was held, and Prince Frederick William was created a knight, a banquet being held in the Waterloo Gallery. On the 29th of January, the Court-including the newly married pair-returned to Buckingham Palace, and in the evening the fourth state visit was paid to Her Majesty's Theatre, when The Rivals and The Spitalfields Weaver were given. The bride was in blue and white, the Prussian colours, and wore a wreath of sweet peas on her hair.

On the 30th of January, the addresses from the City of London and other cities and towns of the Empire, many of them accompanied by wedding gifts, were received, and there was a great and of course specially brilliant Drawing-room, which lasted for four hours. On Sunday the thought of the coming separation pressed heavily on those loving hearts, "but God will carry us through, as He did on the 25th," wrote the Queen reverently, "and we have the comfort of seeing the dear young people so perfectly happy."

On Monday, the Queen in noting that it was the last day of their dear child's being with them, admitted she was sick at heart, and the poor young bride confided to her mother, "I think it will kill me to take leave of dear papa."

Tuesday, the 2nd of February, was dark and cold, with snow beginning to fall, unpropitious weather for a long journey, unless in the Scotch saying which declares that a bride is happy who goes "a white gate" (road:) All were assembled in the hall, not a dry eye among them, the Queen believed. "I clasped her in my arms, and blessed her, and knew not what to say." The royal mother shared all good mother's burdens. "I kissed good Fritz, and pressed his hand again and again. He was unable to speak, and the tears were in his eyes." One more embrace of her daughter at the door of the open carriage, into which the Prince Consort and the Prince of Wales went along with the Prince and Princess Frederick William, the band struck up, and they were gone.