I found the cell somewhat larger than the ordinary private compartment of the prison, but indescribably damp, fetid, and dismal. A narrow loophole, glazed, grated and "hermetically sealed," admitted a dim glimmer of day. A small aperture, or wicket, near the bottom of its door, and evidently made for the double purpose of admitting air and food, was now tightly closed.
For furniture, the place contained a rude bed, with mattress of straw, grimy sheets, and a meagre allowance of coarse gray blankets, with a pillow of husks, or straw, a rough table of pine, a shelf for books, and a stool. On the table stood a rusty tin cup, a bottle of vinegar, a pepper-box, and a cup of dingy salt. It also held two iron spoons, a horn-handled knife and fork, and a Bible. The shelf was well filled with books, and among them stood a glass pickle jar, now sacred to Neilson's bouquets, and still holding a few withered flowers.
Neilson, himself, was half reclined upon his bed, and intent upon a book. As I entered, he arose in some confusion. A call, with Neilson, was scarce a possible occurrence. His composure, however, was soon regained, and, bowing ceremoniously, he bade me good-day, and, with cordial dignity, did the honours of his cell.
He exhibited, with pride, his small library, and called my especial attention to the excellence of the shelf, which he had made for his precious volumes, about fifteen or twenty in number. I had brought Neilson a modicum of that June, whose sunshine comes alike for God's good and evil children, in the shape of a great bunch of damask roses. Filling his jar from the rusty tin cup, he arranged them with tender care, and their grateful odour soon pervaded this dreary place. A box of ripe, red strawberries June had also, on this occasion, donated to her indifferent pensioner; and now, glad to leave behind me even this poor bit of summer, I took a last sad survey of the sorry place, and bade Neilson adieu. As I went gratefully back to God's daylight, musing upon the man and his dismal, lifelong abode, it seemed no wonder that, moping for fifteen years in this cheerless cell, his brain should, at times, have succumbed to the horrors of the situation, for the warden had told me that sometimes Neilson "went out of his head." It was then that, pursued by the avenging shade of "Morris," the man whom he had murdered, his shrieks aroused the night patrol, who must call the warden from his bed, to lay the poor phantom, as Neilson fancied that the warden—and only he—could.
For six kindly years, it was permitted me to make life a little less dreary for Neilson, and to exhort him to bear with becoming fortitude the long penance justly accorded him, and, in my blundering, imperfect way, to suggest to him divine compassion by my own.
Though undoubtedly of plebeian parentage, some tiny runlet of gentle blood must have found its indirect way to Neilson's cockney veins. Never once, in all our intercourse, did he shock me by a coarse expression, or an ill-bred action. In his choice of words he was even finical, and his taste in the arrangement of flowers could scarcely have been impeached by the most fastidious person. He had, invariably, the bearing and instincts of a gentleman. His dietetic predilections, I grieve to record, were sometimes inelegant. Though eminently reticent in regard to his wants, he had made bold to solicit a bit of cheese as an accompaniment to the mince pie which on each State holiday (the legal pie-time in the prison) I gladly provided for him, and I was instructed that the stronger the cheese was, the better. He also preferred raw onions to Bartlett pears, and many a little basket of that pungent vegetable have I conveyed to him, to the sore disquiet of my own vexed olfactories. Pepper-grass, artichokes, and raw turnips, he held in high esteem.
Ordinarily peaceful and placid, Neilson could, at times, be aroused to extreme anger; and I well remember his furious protest against the prison chaplain, when that worthy had confiscated a work of James Freeman Clarke's, which he found in the possession of a theologically-minded convict, on the ground that it was "an infidel book," and improper reading for the prison.
As the slow years went on with Neilson, he became, gradually, a broken-down man. The "Arch" had well done its destructive work, and, about five years after I made his acquaintance, he was forever removed from its deleterious atmosphere, and permanently quartered in the prison hospital, where, in common with his fellow patients, he enjoyed all the legal immunities accorded to the invalid prisoner.
He could now get space for his cramped limbs, had some fellowship, sub rosa, with his kind, and leave to sun himself in the yard ad libitum. Poor Neilson! this comparative freedom had come too late. He was now far gone in consumption, had Bright's disease, and the doctor had also discovered some serious disturbance with his heart. His brain, too, shared in this breaking up, and he had now abandoned reading, and employed his leisure, when free from pain, in dainty wood-carving or inlaying. His work, often fantastic in design, was always exquisite in finish, and sometimes absurdly elaborate where elaboration was quite unnecessary (for with Neilson, "the gods saw everywhere"). Hours of patient labour were devoted to the finish of the "unseen."
The unanimous good-will of instructors in the prison shops made the daintiest materials easily attainable to the poor fellow, and his ivory charms, his mother-of-pearl crosses, and inlaid satin-wood boxes, found, outside the prison, a ready market, and a price which enabled him, probably for the first time in his whole life, to become the possessor of money honestly earned. In the hospital it was that Neilson evolved, with fanciful ingenuity, for my poor self, the most remarkable of inkstands. The design embraced a camel standing on a platform wreathed with carven forget-me-nots, and inscribed with a Latin motto, having some enigmatical reference to the foresighted habit of the creature. Unfortunately, the platform, the camel, with his two humps, the motto, and the forget-me-nots, made so large a figure in Neilson's design, that its main feature, the inkstand, had, virtually, to be omitted; and could only be hinted at by a shallow vessel, holding about one good thimbleful, and perched perilously upon the camel's irregular back. From time to time I was permitted to watch the progress of this remarkable creation, and was called upon for a pictured camel and some real forget-me-nots, as models.