"Sure, mem, no doot we can, if, be the same token, it proves convanient to yerself," responds the girl. "The korp, indade, is after wakin' itself in the bist chamber; but there's the intry bidroom at your service, intirely."
Miss Paulina graciously accepting the proffered chamber, Bridget kindly leads the way to the "intry bid-room;" and, bidding her "have no fear of the korp," hurries off in pursuit of the needful toilet furnishment, leaving the guest alone in the small dusky apartment.
Interwoven with her life experience, as it has ever been, death has hitherto been calmly confronted by Miss Paulina; but to-night, alone in a strange dwelling, with a murdered man in the adjoining apartment, and neighboured, no doubt, by scores of murderers, it is all unutterably depressing; and when Bridget, having, as she states, waited to "rub out a clane towel, an' hate a flat for that same," comes clattering through the hall, with the damp napery across her arm, a lamp in one hand, and a slopping ewer in the other, the nervous lady is half disposed to hug her for the bare relief afforded by her presence! Hastily arranging the dusty wash-stand, Bridget announces the instant "goin' on" of supper, and graciously invites her to "tak a look at the korp, an' thin walk doon." Left alone, Miss Paulina removes bonnet and shawl, bathes her face, dons her cap, and, ignoring "the korp," hastily descends to the dining-room.
The supper, a badly cooked, ill-served meal, is solitary and uncomfortable, the "childer" having, according to Bridget, kindly consented to be captured, to be put to bed, and to cry herself to sleep. Miss Paulina, weary and forlorn, soon retires. Already half-undressed, she finds that her travelling bag, containing her night gear and toilet necessaries, together with sundry toothsome packages, provided as "sops" for supposable hostile small Flints, has been left below stairs. Bridget being presumably beyond call, the good lady must herself seek the missing bag. It is safe in the entrance hall, and, hastily securing it, she essays to return to her own quarters. In her bewilderment, she somehow misses her bedroom door, and, instead, opens that of the chamber containing the corpse.
Already well into the apartment, she discovers her mistake, and, simultaneously, lets fall her lamp, surprised by the unlooked-for tableau confronting her. Here, in the dimly-lighted room, close to the murdered warden, whose face she has uncovered,—like some exquisite statue of Pity, mute, motionless, and scarce less pallid than the marble before her,—stands the night-robed figure of May-blossom. No childish recoil from that awful presence disturbs her sweet, earnest face. A solemn awe is in the wistful gray eyes, a mute interrogation of that confronting mystery, blent with the tender pathos of commisserating love. Startled by the clatter of the falling lamp, the child turns, and timidly awaits the approach of the unknown intruder. Dear, kind Miss Paulina! Surprise and wonder at once give way to the one absorbing desire to clasp in her warm, motherly arms this lovely, lonely child.
"Poor little darling," she murmurs, caressingly, approaching and kissing the tear-wet cheek. "Why are you here so late, and all alone?"
"I thought," apologizes the child, "I thought it might not be so very wrong. The nights are so long, and when I tried to sleep my eyes wouldn't shut; for I kept thinking of him (indicating reverently the corpse), and of the other, too. Peter says he's crazy, and awful wicked, and down there in the dungeon with the rats, an' all in irons! And when I thought of it, I got wider and wider awake, and then I came to father. When he was alive (apologetically), of course, he didn't care to have me around, and so I stayed mostly with Uncle Tim and Peter, and the others; but I thought he might be glad, up in heaven, if he saw me staying with him now when he is all alone."
"It was not at all wrong, dear child," says Miss Paulina; "but come away with me now. I am your father's cousin, my child, your Aunt Paulina. You shall try my bed to-night, and see if you cannot sleep there."
Permitting the child a last good-night kiss, Miss Paulina re-covers the dead face of Warden Flint, upon which the sharp agony of that cruel exit from life yet lingers, and the two pass reverently from the chamber.