And now, Harmy Patterson,—good old-fashioned Christian, never once doubting that God Himself literally penned every word between the covers of her "King James edition,"—gets mightily edified and reassured by a pious perusal of the Book of Lamentations! Harmy likes long chapters, and many of them; and, having exhausted Lamentations, she reads on and on, until (if you should put her to the rack, you couldn't make her confess it) she falls fast asleep.
Hark! Is it the robin twittering in the linden? Ah, no! a sadder and more hopeless sound disturbs her repose. It is the death-rattle! A moment more, and she is hastening to the child. Peter Floome has already anticipated her; and, kneeling by the bedside, is clasping, in his rough brown palm, the slender white hand of his precious nursling. A cruel spasm convulses the tender frame. The little arms are up-flung in agony! A moment; and it has passed—thank God! the last mortal pang! And now the sweet Carrara marble face is lighted by a dawn that is not of earth. A smile of ecstasy sweetens the dying lips; and, as the conscious gray eyes look fondly upon the familiar bowed head beside her, she whispers in rapturous surprise: "Why, Peter! Peter! It is morning!" A faint gasp—a single flutter of the failing breath, and all is over. Harmy Patterson, bending her stiff old knees, grasps the hand of Peter Floome, and the two weep silently together. Peter's adoring gaze is still fastened upon the dear dead face, and, with his right hand still clasping that of May-blossom, he presses in his left that of Harmy, and broken-heartedly wails: "Oh, Miss Patterson, Miss Patterson! the' ain't nothin' left!"
"It's the will of the Lord, Peter," piously exhorts Harmy; "an' we must all bow down to it, an' bear up under it. But, O land, (rising abruptly to her feet)! how in the world I'm to break it to Miss Paulina (an' she not here at the last minnit) is more'n I know; but I must do it, an' right off, too." And, leaving her fellow-mourner still upon his knees, she hurries from the room on her distasteful errand. Harmy, in spite of her best intentions, delays awhile. "It's a pity"—she says to herself—"to wake her up to her trouble, and she so sound, an' quiet. I've a mind to let her lay a minnit longer." And she does, but, ere long, the two women are beside the dear dead form. Miss Paulina—true to her own sweet self—holds in abeyance the sorrow of her aching heart, while she kindly seeks to comfort the poor bowed creature still clinging to his beloved nursling. Tenderly clasping his disengaged hand, she strives with gentle force to draw him from the room. The hand is nerveless, and chill. The entire form seems strangely limp and listless! The truth at last dawns upon her her—"Peter Floome is dead!" Yes, his fond, faithful spirit, following hard upon the flight of that—
"Little fair soul that knew not sin,"
had gone softly and painlessly out of mortal life; and who shall say that, in the "house of many mansions," the convict, "delivered from the body of his sin," may not dwell, side by side, with the innocent prison child?
Rough-handed men come, with heavy tread, to bear the dead man from the room, but it is Miss Paulina, herself, who tenderly disengages the interclasped hands, and, then stooping reverently to the bowed gray head, she lays her own in silent benediction upon it, and voicelessly transposes the gracious words that, centuries ago, fell from the blessed lips of the divine man: "His sins, though many, are forgiven, for he loved much."
And now, already the red rose of dawn blooms in the summer sky, and, like belated ghosts, that may not bide for the coming sun, we steal noiselessly from the chamber of death.
Year after year the blue-eyed periwinkle blooms upon a low, short grave in that "City of the Silent," the Saganock burying-ground. Its headstone is a shaft of Carrara marble. A carven lily, broken on its stem, in emblem of the unfilled promise of a life, droops over this simple inscription:
"Her name was Mabel."