A husky rattle told of the end, and he dropped the woman’s body from his steely grip, disengaging the pigtail with a swift movement of his head. Opening and closing his yellow fingers to restore circulation, he stood looking down at her. He spat upon the floor at her feet.

Then, turning, he held out his arms and confronted Sam Tûk.

“Was it well done, bald father of wisdom?” he demanded hoarsely.

But old Sam Tûk seated lumpish in his chair like some grotesque idol before whom a human sacrifice has been offered up, stirred not. The length of loaded tubing with which he had struck Kerry lay beside him where it had fallen from his nerveless hand. And the two oblique, beady eyes of Sin Sin Wa, watching, grew dim. Step by step he approached the old Chinaman, stooped, touched him, then knelt and laid his head upon the thin knees.

“Old father,” he murmured, “Old bald father who knew so much. Tonight you know all.”

For Sam Tûk was no more. At what moment he had died, whether in the excitement of striking Kerry or later, no man could have presumed to say, since, save by an occasional nod of his head, he had often simulated death in life—he who was so old that he was known as “The Father of Chinatown.”

Standing upright, Sin Sin Wa looked from the dead man to the dead raven. Then, tenderly raising poor Tling-a-Ling, he laid the great dishevelled bird—a weird offering—upon the knees of Sam Tûk.

“Take him with you where you travel tonight, my father,” he said. “He, too, was faithful.”

A cheap German clock commenced a muted clangor, for the little hammer was muffled.

Sin Sin Wa walked slowly across to the counter. Taking up the gleaming joss, he unscrewed its pedestal. Then, returning to the spot where Mrs. Sin lay, he coolly detached a leather wallet which she wore beneath her dress fastened to a girdle. Next he removed her rings, her bangles and other ornaments. He secreted all in the interior of the joss—his treasure-chest. He raised his hands and began to unplait his long pigtail, which, like his “blind” eye, was camouflage—a false queue attached to his own hair, which he wore but slightly longer than some Europeans and many Americans. With a small pair of scissors he clipped off his long, snake-like moustaches....