Only one very intimate with the taciturn speaker could have perceived any evidence of interest in that imperturbable character. But Nicol Brinn took his cheroot between his fingers, quickly placed a cone of ash in a little silver tray (the work of Benvenuto Cellini), and replaced the cheroot not in the left but in the right corner of his mouth. He was excited.
“You are out after one of the big heads of the crook world,” he said. “He knows it and he’s trailing you. My luck’s turned. How can I help?”
Harley stood up, facing Mr. Brinn. “He knows it, as you say,” he replied, “and I hold my life in my hands. But from your answer to the question which I have come here to-night to ask you, I shall conclude whether or not your danger at the moment is greater than mine.”
“Good,” said Nicol Brinn.
In that unique room, at once library and museum, amid relics of a hundred ages, spoil of the chase, the excavator, and the scholar, these two faced each other; and despite the peaceful quiet of the apartment up to which as a soothing murmur stole the homely sounds of Piccadilly, each saw in the other’s eyes recognition of a deadly peril. It was a queer, memorable moment.
“My question is simple but strange,” said Paul Harley. “It is this: What do you know of ‘Fire-Tongue’?”
CHAPTER V. THE GATES OF HELL
If Paul Harley had counted upon the word “Fire-Tongue” to have a dramatic effect upon Nicol Brinn, he was not disappointed. It was a word which must have conveyed little or nothing to the multitude and which might have been pronounced without perceptible effect at any public meeting in the land. But Mr. Brinn, impassive though his expression remained, could not conceal the emotion which he experienced at the sound of it. His gaunt face seemed to grow more angular and his eyes to become even less lustrous.
“Fire-Tongue!” he said, tensely, following a short silence. “For God’s sake, when did you hear that word?”