“This morning?” I interjected.
“This mornin', in the light of the little oil lamp where old Ma Lorenzo 'ad roasted the pills! It's all still an' quiet an' I feel more dead than alive. I'm goin' to give 'er a hail, see? When I sez to myself, 'Bill,' I sez, 'put out to sea; you're amongst Kaffirs, Bill.' It occurred to me as old Kwen Lung might wonder 'ow much I knew. So I beat it. But when I got in the open air I felt I'd never make my lodgin's without a tonic. That's 'ow I come to meet you, mates.
“Listen—I'm away in the old Seahawk in the mornin', but I'll tell you somethink. That yellow bastard killed his daughter last night! Beat 'er to death. I see it plain. The sweetest, prettiest bit of ivory as Gawd ever put breath into. If 'er body ain't in the river, it's in the 'ouse. Drunk or sober, I never could stand the splits, but mates”—he stood up, and grasping me by the arm, he drew me across the room where he also seized Harley in his muscular grip—“mates,” he went on earnestly, “she was the sweetest, prettiest little gal as a man ever clapped eyes on. One of yer walk into Limehouse Station an' put the koppers wise. I'd sleep easier at sea if I knew old Kwen Lung 'ad gone west on a bloody rope's end.”
II
AT KWEN LUNG'S
For fully ten minutes after the fireman had departed Paul Harley sat staring abstractedly in front of him, his cold pipe between his teeth, and knowing his moods I intruded no words upon this reverie, until:
“Come on, Knox,” he said, standing up suddenly, “I think this matter calls for speedy action.”
“What! Do you think the man's story was true?”
“I think nothing. I am going to look at Kwen Lung's joss.”