"Let us go back to town, then, if you think it is hindering you to stay here."

"There is no occasion for you to return, Yvonne."

"Yes, but—I don't want to stay, Paul, if you are going. Really, I would rather not." There was something pathetic, almost fearful, in the insistency of her manner, and Paul had a glimpse again of that intangible yet tauntingly familiar phantom in his wife's bearing. A revelation seemed to be imminent, but it eluded him, and the more eagerly he sought to grasp it the further did it recede. "You don't want to leave me behind, do you?" said Yvonne.

"Want to leave you behind!" cried Paul, standing up and crossing to where she stood by the window. "Yvonne!" He held her close in his arms, but there was no fire in the violet eyes, only a tired, pathetic expression.

IV

The pageant proceeded merrily; these were merry days. And because it was rumoured that men who fought hard also drank hard, the brethren of the blue ribbon at last perceived their opportunity and seized upon it with all the vigour and tenacity which belong to those reared upon a cocoa diet. Denying the divinity of the grape, they concealed their treason against Bacchus beneath a cloak of national necessity, and denied others that which they did not want themselves. They remained personally immune because no one thought of imposing a tax upon temperance-meetings, hot-water bottles and air-raid shelters. "Avoid a man who neither drinks nor smokes," was one of Don's adages. "He has other amusements."

Paul continued his pursuit of the elusive thread interwoven in modern literature, and made several notable discoveries. "Contemplation of the mountainous toils of Balzac and Dumas fills me with a kind of physical terror," he said to Don on one occasion. "It is an odd reflection that they would have achieved immortality just the same if they had contented themselves respectively with the creation of Madame Marnefle and the girl with the golden eyes, D'Artagnan and Chicot. The memory of Dumas is enshrined in his good men, that of Balzac in his bad women. One represents the active Male principle, the Sun, the other the passive Feminine, or the Moon. I have decided that Dumas was the immediate reincarnation of a musketeer, and Balzac of a public prosecutor."

"Pursuing this interesting form of criticism," said Don, "at once so trenchant and so unobjectionable, to what earlier phase should you ascribe the wit of G. K. Chesterton for example?"

"To the personal influence of Dr. Johnson and his contemporaries. H. G. Wells would seem to have had no earthly experiences since he was a priest of Bel, or if he had they were comparatively colourless. Rudyard Kipling knew and loved the spacious times of Elizabeth. How clearly we can trace the Roman exquisite in Walter Pater and the bravo in George Moore. Stevenson was a buccaneer in whom repentance came too late, and who suffered the extreme penalty probably under Charles II. The author of The Golden Bough was conceivably a Chaldean librarian, and from the writings of Anatole France steps forth shadowy a literary religieux of the sixteenth century; but it is when we come to consider such cases as those of Spencer and Darwin that we meet with insurmountable obstacles. The patientiotype process of Victor Hugo defies this system of analysis also, as does the glorious humanity of Mark Twain, and although Pinero proclaims himself a wit of the Regency, Bernard Shaw's spiritual pedigree is obscure. Nevertheless, all are weavers of the holy carpet, and our lives are drawn into the loom. All began weaving in the childhood of the world and each has taken up the thread again at his appointed hour."

Paul spent a great part of his time in Jules Thessaly's company. Thessaly had closed his town house, and was living in chambers adjoining Victoria Street. His windows commanded a view of an entrance to Westminster Cathedral, "from whence upward to my profane dwelling," he declared, "arises an odour of sanctity." From Thessaly's flat they set out upon many a strange excursion, one night visiting a private gaming-house whose patrons figured in the pages of Debrett, and, perhaps on the following evening, Thessaly's car would take them to a point in the West India Dock Road, from whence, roughly attired, they would plunge into the Asiatic underworld which lies hidden beneath the names of Three Colt Street and Pennyfields. They visited a foul den in Limehouse where a crook-backed Chinaman sat rocking to and fro before a dilapidated wooden joss in the light of a tin paraffin lamp, listened to the rats squealing under the dirty floor and watched men smoke opium. They patronised "revue" East and West, that concession to the demand of youth long exiled from feminine society which had superseded the legitimate drama. "There are three ingredients essential to the success of such an entertainment," Thessaly pronounced: "fat legs, thin legs, and legs." They witnessed a knuckle-fight in Whitechapel between a sailorman and a Jewish pugilist. The referee was a member of a famous sporting club, and the purse was put up by a young peer on leave from the bloody shambles before Ypres. "Our trans-Tiber evenings," Paul termed these adventures.