Paul walked out into the lashing rain, going in the direction of Charing Cross. He was thinking of another storm which had struck swiftly out of a fair sky, of the aisles of the hills, and of one that he had met there. To-day Jules Thessaly was leaving England. Don was dead. Some who knew Paul and who saw him driving on through the downpour as if fury-ridden or sped by some great urgency, wondered and later remembered. But to him London was empty, and heedless of the curiosity of men and the tumult of the elements he pressed on. Nothing penetrated to his consciousness save the eternal repetition of his own name and the name of his book. Evidences of his influence seemed to leer at him from window and hoarding. A performance of the French symphony, Dawn, was advertised to take place at the Queen's Hall, and he found one bill announcing an exhibition of pictures by an ultra-modern Belgian—pictures which their painter declared to be "illustrations" of The Gates. And in his pocket were the papers deposited with Nevin to be given to Paul only in the event of Don's death. Paul had read them, and whilst he longed with a passionate longing to go to Flamby, he knew that to-day he dared not trust himself within sight of the clear grey eyes, of the alluring lips, within touch of the red-brown hair. But he recognised that he must go ultimately, and so he drove on through the storm and right and left of him were traces of his mark upon the world.
Tropical heat prevailed throughout the following day and Paul spent the morning pacing up and down his study. Yvonne was in Brighton. Paul long since had realised that the sympathy between them was imperfect, but always he had counted upon re-establishing the old complete comradeship when his great task should be at last concluded. This morning he had learned the truth, that Yvonne was with Orlando James, but his brain was still too numb fully to appreciate it. Towards noon he sat down at his writing-table and began to read with close attention the typed pages of The Key. Bassett was becoming anxious and had rung up more than once during the morning. Arrangements had been made to publish simultaneously in the principal capitals of the world, and the publishers had been busy for several months accumulating paper to meet the unparalleled demand for this vast first edition.... Eustace knocked three times at the study door to announce that luncheon was served, but Paul continued his reading. During the afternoon he caused a fire to be lighted in the study grate.
It was late evening before he left the house, and he set out with no conscious objective in view, yet subconsciously he was already come to his journey's end. His ideas were chaotic, and he seemed to be spiritually adrift. That his book was indeed the Key he was unable to doubt. He had truly grasped the stupendous truth underlying that manifestation called life, but seeking to discern retrospectively the path whereby he had pierced to the heart of the labyrinth he found confusion and stood dismayed before the dazzling jewel which he had unearthed. The past intruded subtly upon him, and he was all but swept away by sorrowful memories of Don. He saw him coming along the Pilgrim's Way and heard his cheery greeting as he stepped upon the terrace of Hatton Towers.
Where that night's wandering led him he knew not, but there were those who saw him passing along Limehouse Causeway as if in quest of the Chinese den where once he and Thessaly had watched men smoke opium, and others who spoke to him, but without receiving acknowledgment, in the neighbourhood of Westminster Cathedral. He appeared, too, at the Café Royal, standing just within the doorway and looking from table to table as one who seeks a friend, but went out again without addressing a word to anyone. At a late hour he saw a light shining from a casement window and mechanically he pressed the knob of a bell above which appeared the number 23. Flamby opened the door and Paul stood looking at her in the dusk.
XII
"Oh," said Flamby, "I had given you up."
She wore a blue and white kimono and had little embroidered Oriental slippers on her feet. Under the light of the silk-shaded lamp her hair gleamed wonderfully. She had matured since that day in Bluebell Hollow, when Paul and Don had first seen her. The world had not hardened her and the curves of her face were almost childlike, yet there was something gone from her eyes and something new come to replace it. Resourcefulness was there, but no hint of boldness and her moods of timidity were exquisite. Now, having naively confessed her dreams, her sudden confusion was lovable.
"I scarcely know," declared Paul. "I scarcely know why I have come at such an hour. It is not fair to you, and it is not practising what I preach."
"Please come in. You are welcome at any time, and as nobody will see you there can be no harm done."
Paul entered and stood looking vaguely at the parcel which he carried. It contained the manuscript of The Key. Thus reminded of its presence he found himself wondering why since he had forgotten that he carried it, he had not absently left it behind somewhere during his aimless wanderings. He laid it with his hat on the open bureau. The little apartment had assumed very marked individuality. Many delightful sketches and water-colour drawings ornamented the walls and a delicate pastel study of Dovelands Cottage hung above the famous clock on the mantelpiece. Paul crossed and examined this picture closely.