Hunting with the Bow & Arrow

by Saxton T. Pope

Up near the head of Wood River, Young and his party came on a number of Big Horn Sheep and first devoted several days to film work. Then Young decided to try for a trophy with the bow. After hunting all morning he discovered with his glasses a ram a long way off.

The country was open and had no cover. The ram was resting on a ledge of rock elevated above the level of the valley. Even at a distance of half a mile it was evident to Art that the ram had seen him, so Young studied the sheep and the country carefully before deciding what plan to pursue.

From the lay of the land it was plain that no concealment was possible and no detour or ambush could be employed. The glasses showed that the ram was a fairly old specimen and had a very sophisticated look. In fact, to Art he looked conceited and had an expression that said: "There is a man, but I am a pretty wise old sheep; I know all about men; that fellow hasn't seen me yet and when he does, there is plenty of open country back of me; my best plan is to lie still and let this tenderfoot pass." So he went on ruminating and blinking at the sun.

Taking this mental attitude into consideration, Young decided that the best method of outwitting this particular sheep was to take him at his own valuation and proceed as a tenderfoot down the valley. So he walked unconcernedly along at an oblique angle to the sheep and never once taking a direct look at him. He went gaily along whistling, kicking pebbles and swinging his bow. When he had reached a distance of two or three hundred yards the old sheep lifted up his head to see what was going on. Young paid no attention to him, though he observed him out of the corner of his eyes. So the wise old boy settled back content with his diagnosis.

Art walked along as innocently as ever. When he was a hundred and fifty yards off, the ram raised his head again and took a longer observation. He seemed to be changing his mind. Young said to himself, "He will take one more look, then he will go. Now is the time to act." So nocking an arrow on the string he ran at full speed directly at the sheep, and when half way he saw the tip of his horns rise above the ledge and knew it was time to stop. He came to his shooting pose and waited, the arrow half drawn. Sure enough! Out walked the old fellow to the very edge of the parapet and gazed over. Off flew the arrow and in the twilight it was lost to vision, but he heard it strike and saw the ram wheel in flight. As it disappeared over the ridge Art followed at a run; reaching the top he peered cautiously about and saw the sheep at no great distance standing still with its legs spread wide apart. He knew by the posture that it was done for. So he went back to the valley and because of the distance from camp and the oncoming darkness he made a fire and "Siwashed it" or camped out in the open all night without blankets. In the morning he went after his trophy and found it near the spot last seen. It was a fine specimen. The arrow had pierced it from front to rear completely through and was lost; a center shot at eighty yards; a most remarkable bit of archery and hunting stratagem. This head now decorates the dining room of the Young home in San Francisco. Unfortunately the moose antlers were cached near a river in Alaska and an unprecedented flood carried them out to sea.

While speaking of Alaskan rivers there recurs to my mind a most remarkable incident related by Young. In one picture required for their film it was necessary to show a canoe in the course of construction, the subsequent use of this vessel and an upset in the turbulent waters of the river. To represent his bow in its canvas case, and still to spare that weapon a wetting, Young went down the river bank to pick out a stick about the same size to put in his bow case. Taking the first piece that came to hand he started to place it in the case, when struck by its smoothness he looked at it and found he had a weatherbeaten old Indian bow in his hand. It seemed like a sign, a good omen,--for we playfully indulge in omens in these romantic adventures with the bow.

Studying this implement later I found it apparently to be a birch Urock bow, some five feet long, having nocks and a place for the usual perpendicular piece of wood bound on at the handle to check the string. It would have pulled about sixty pounds, good enough for caribou hunting.

And so in brief are the adventures of Art Young in Alaska.

But who can speak of the adventures in the heart of our archer? Here is no common hunter, no insensate slayer of animals. Here we have the poet afoot,--the archaic adventurer in modern game fields; the champion of fair play and clean sport; all that is strong and manly.