While he shot many birds, I never saw Ishi try wing shooting except at eagles or hawks. For these he would use an arrow on which he had smeared mud to make it dark in color. A light shaft is readily discerned by these birds, and I have often seen them dodge an arrow. But the darker one is almost invisible head on. The feathers of the arrows were close cropped to make them swift and noiseless.
The sound of a bowstring is that of a sharp twang accompanied by a muffled crack. To avoid this and make a silent shot, the Indian bound his bow at the nocks with weasel fur; this effectually damped the vibration of the string, while the passage of the arrow across the bow, which gives the slight crack, is abolished by a heavy padding of buckskin at this point.
Ishi never wore an arm guard or glove or finger stalls to protect himself as other archers do. He seemed not to need them. When he released the arrow, the bow rotated in his hand so that the string faced in the opposite direction from which it started. His thumb alone drew the string, and this was so toughened that it needed no leather covering.
In a little bag he carried extra arrowheads and sinews, so that in a pinch he could mend his arrows.
When not actually in use, he promptly unstrung his bow, and gently straightened it by hand. In cold weather he heated it over a fire before bracing it. The slightest moisture would deter him from shooting, unless absolutely necessary--he was so jealous of his tackle. If his bowstring stretched in the heat or dampness, as sinew is liable to do, he shortened it by twisting one end prior to bracing it.
Before shooting he invariably looked over each arrow, straightened it in his hands or by his teeth, re-arranged its feathers, and saw that the point was properly adjusted. In fact, he gave infinite attention to detail. With him, every shot must count. Besides arrows in his quiver, he carried several ready for use under his right arm, which he kept close to his side while drawing the bow.
In all things pertaining to the handicraft of archery and the technique of shooting, he was most exacting. Neatness about his tackle, care of his equipment, deliberation and form in his shooting were typical of him; in fact, he loved his bow as he did no other of his possessions. It was his constant companion in life and he took it with him on his last long journey.
[IV]
ARCHERY IN GENERAL
Our experience with Ishi waked the love of archery in us, that impulse which lies dormant in the heart of every Anglo-Saxon. For it is a strange thing that all the men who have centered about this renaissance in shooting the bow, in our immediate locality, are of English ancestry. Their names betray them. Many have come and watched and shot a little, and gone away; but these have stayed to hunt.