The Countess Isabelle replied in a firm and almost a displeased tone; with an energy, in short, which Quentin had not yet observed her use.
"Madam," she said, "but that I know you jest, I would say your speech is ungrateful to our brave defender, to whom we owe more, perhaps, than you are aware of. Had these gentelemen succeeded so far in their rash enterprise as to have defeated our escort, is it not still evident, that, on the arrival of the Royal Guard, we must have shared their captivity? For my own part, I give tears, and will soon bestow masses, on the brave man who has fallen, and I trust," (she continued, more timidly,) "that he who lives will accept my grateful thanks."
As Quentin turned his face towards her, to return the fitting acknowledgments, she saw the blood which streamed down on one side of his face, and exclaimed, in a tone of deep feeling, "Holy Virgin, he is wounded! he bleeds! – Dismount, sir, and let your wound be bound up."
In spite of all that Durward could say of the slightness of his hurt, he was compelled to dismount, and to seat himself on a bank, and unhelmet himself, while the ladies of Croye, who, according to a fashion not as yet antiquated, pretended to some knowledge of leech-craft, washed the wound, stanched the blood, and bound it with the kerchief of the younger Countess, in order to exclude the air, for so their practice prescribed.
In modern times, gallants seldom or never take wounds for ladies' sake, and damsels on their side never meddle with the cure of wounds. Each has a danger the less. That which the men escape will be generally acknowledged; but the peril of dressing such a slight wound as that of Quentin's, which involved nothing formidable or dangerous, was perhaps as real in its way as the risk of encountering it.
We have already said the patient was eminently handsome; and the removal of his helmet, or, more properly, of his morion, had suffered his fair locks to escape in profusion, around a countenance in which the hilarity of youth was qualified by a blush of modesty at once and pleasure. And then the feelings of the younger Countess, when compelled to hold the kerchief to the wound, while her aunt sought in their baggage for some vulnerary remedy, were mingled at once with a sense of delicacy and embarrassment; a thrill of pity for the patient, and of gratitude for his services, which exaggerated, in her eyes, his good mien and handsome features. In short, this incident seemed intended by Fate to complete the mysterious communication which she had, by many petty and apparently accidental circumstances, established betwixt two persons, who, though far different in rank and fortune, strongly resembled each other in youth, beauty, and the romantic tenderness of an affectionate disposition. It was no wonder, therefore, that from this moment the thoughts of the Countess Isabelle, already so familiar to his imagination, should become paramount in Quentin's bosom, nor that if the maiden's feelings were of a less decided character, at least so far as known to herself, she should think of her young defender, to whom she had just rendered a service so interesting, with more emotion than of any of the whole band of high-born nobles who had for two years past besieged her with their adoration. Above all, when the thought of Campo-Basso, the unworthy favourite of Duke Charles, with his hypocritical mien, his base, treacherous spirit, his wry neck, and his squint, occurred to her, his portrait was more disgustingly hideous than ever, and deeply did she resolve no tyranny should make her enter into so hateful a union.
In the meantime, whether the good Lady Hameline of Croye understood and admired masculine beauty as much as when she was fifteen years younger, (for the good Countess was at least thirty-five, if the records of that noble house speak the truth,) or whether she thought she had done their young protector less justice than she ought, in the first view which she had taken of his services, it is certain that he began to find favour in her eyes.
"My niece," she said, "has bestowed on you a kerchief for the binding of your wound; I will give you one to grace your gallantry, and to encourage you in your farther progress in chivalry."
So saying, she gave him a richly embroidered kerchief of blue and silver, and pointing to the housing of her palfrey, and the plumes in her riding-cap, desired him to observe that the colours were the same.
The fashion of the time prescribed one absolute mode of receiving such a favour, which Quentin followed accordingly, by tying the napkin round his arm; yet his manner of acknowledgment had more of awkwardness, and less of gallantry in it, than perhaps it might have had at another time, and in another presence; for though the wearing of a lady's favour, given in such a manner, was merely matter of general compliment, he would much rather have preferred the right of displaying on his arm that which bound the wound inflicted by the sword of Dunois.